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:Music, Science and Natural Magic in Seventeenth-Century England
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Cited by

  • 2003Making Sense of Social History38 cited
  • 2010Hearing Science in Mid-Eighteenth-Century Britain and France29 cited
  • 2007Music as Erotic Magic in a Renaissance Romance20 cited
  • 2001Music and Science During the Scientific Revolution19 cited
  • 2001Women's use of music to motivate erotic desire in the drama of Beaumont and Fletcher17 cited
  • 2006Acoustics and Optics17 cited
  • 2013The Voice and Early Modern Historiography: Reading Johannes Kepler's Harmony of the World14 cited
  • 2007Athanasius Kircher’s magical instruments: an essay on ‘science’, ‘religion’ and applied metaphysics14 cited
  • 2017Scholars, Friends, Plagiarists: The Musician as Author in the Seventeenth Century9 cited
  • 2009Theatrical Space and Scientific Space in Thomas Shadwell’s Virtuoso6 cited
  • 2008Orfeo's Machines5 cited
  • 2019‘The only real magic’: enchantment and disenchantment in music's modernist ordinary4 cited
  • 2005“Martyred Signs”:Titus Andronicusand the Production of Musical Sympathy4 cited
  • 2001William Ellis and the transmission of continental keyboard music in restoration England4 cited
  • 2005

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Music and the sciences
4 cited