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John Webster’s Borrowing
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John Webster’s Borrowing (1960)John Webster’s Borrowing"Killing, Hewing, Stabbing, Dagger-drawing, Fighting, Butchery": Skin Penetration in Renaissance Tragedy and Its Bearing on Dramatic Theory (2012)"Killing, Hewing, Stabbing, D…Florio's Montaigne and the Tyranny of “Custome”: Appropriation, Ideology, and Early English Readership of the Essayes (2010)Florio's Montaigne and the Ty…“An headlesse Ladie” and “a horses loade of heades”: Writing the Beheading (2007)“An headlesse Ladie” and “a h…The Severed Hand in Webster's Duchess of Malfi (2004)The Severed Hand in Webster's…Historicizing the Imagery of the Demonic in The Duchess of Malfi (2004)Historicizing the Imagery of …The Adaptation of a Shakespearean Genre: Othello and Ford's 'Tis Pity She's a Whore (1995)The Adaptation of a Shakespea…Responding to Plagiarism: The Role of the WPA (1992)Responding to Plagiarism: The…Science and realism in John Webster'sthe duchess of Malfi (1977)Science and realism in John W…The Democritean Universe in Webster’s The White Devil (1973)The Democritean Universe in W…John Ford and the Caroline Theatre (1979)Themes and Conventions of Elizabethan Tragedy (1980)Stage Images and Traditions: Shakespeare to Ford (1987)Bodies and selves in early modern England: physiology and inwardness in Spenser, Shakespeare, Herbert, and Milton (2000)Performativity and Performance (2013)The Body Emblazoned (2013)Complete Poems and Major Prose (1957)Sources of the self: the making of the modern identity (1990)Sources of the Self: The Making of the Modern Identity (1991)Making the Land Known:Henry IV, Parts 1 and 2and the Literature of Perambulation (2018)Seeing and Overseeing the Stage as Map in Early Modern Drama (2018)Travel and Drama in Early Modern England (2018)The Encyclopedia of Witchcraft and Demonology (1960)Language, Counter-Memory, Practice: Selected Essays and Interviews (1978):Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (1989)Did Magic Matter? The Saliency of Magic in the Early Roman Empire (2013)The Great Instauration: Science, Medicine, and Reform, 1626-1660 (1977)Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries. (1985)Religion and the Decline of Magic (2017)The Elizabethan Malady: A Study of Melancholia in English Literature from 1580 to 1642. (1952)Jacobean Tragedy: The Quest for Moral Order (1963)Shakespeare's Tragic Heroes (2009)Society and Culture in Early Modern France (1969)Epic and Empire (1993)New York 1987 (2000)‘Realms so barbarous and cruell’: Writing Violence in Early Modern I reland and E ngland (2014)Plagiarism: The Worm of Reason (1983)Social Construction, Language, and the Authority of Knowledge: A Bibliographical Essay (1986)The Classroom and the Wider Culture: Identity as a Key to Learning English Composition (1989)Plagiarisms, Authorships, and the Academic Death Penalty (1995)The Complete Works of John Webster (1929)Lucretius and His Influence (1936)On the nature of things (2010)
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Cited by

  • 2010Florio's Montaigne and the Tyranny of “Custome”: Appropriation, Ideology, and Early English Readership of the Essayes24 cited
  • 2004The Severed Hand in Webster's Duchess of Malfi15 cited
  • 1992Responding to Plagiarism: The Role of the WPA12 cited
  • 2004Historicizing the Imagery of the Demonic in The Duchess of Malfi9 cited
  • 2007“An headlesse Ladie” and “a horses loade of heades”: Writing the Beheading6 cited
  • 2012"Killing, Hewing, Stabbing, Dagger-drawing, Fighting, Butchery": Skin Penetration in Renaissance Tragedy and Its Bearing on Dramatic Theory5 cited
  • 1973The Democritean Universe in Webster’s The White Devil4 cited
  • 1995The Adaptation of a Shakespearean Genre: Othello and Ford's 'Tis Pity She's a Whore4 cited
  • 1977Science and realism in John Webster'sthe duchess of Malfi2 cited

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