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Der Musikbegriff im deutschen Barock
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Der Musikbegriff im deutschen Barock (1969)Der Musikbegriff im deutschen BarockMusical-Rhetorical Figures in Romanticism Heritage: Discussions on Research Methodology (2020)Musical-Rhetorical Figures in…1. Period Influence on the Work of Johann Sebastian Bach (2020)1. Period Influence on the Wo…A Perfect Chord: Trinity in Music, Music in the Trinity (2013)A Perfect Chord: Trinity in M…The role of tone sensation and musical stimuli in early experimental psychology (2011)The role of tone sensation an…'A harmony or concord of several and diverse voices': Autonomy in 17th-Century German music theory and practice (2011)'A harmony or concord of seve…Aspectos da recepção alemã do Les beaux arts réduits à un même príncipe (1746) de Charles Batteux (2010)Aspectos da recepção alemã do…Ordnungsprinzipien in Johann Sebastian Bachs Klavierübung (1995)Ordnungsprinzipien in Johann …The Hapsburg Court of Ferdinand II and the Messa, Magnificat et Iubilate Deo a sette chori concertati con le trombe (1621) of Giovanni Valentini (1991)The Hapsburg Court of Ferdina…Allegorical Music: The "Symbolism" of Tonal Language in the Bach Canons (1984)Allegorical Music: The "Symbo…The Source for Bach's Musical Offering: The Musical Offering of Quintilian (1980)The Source for Bach's Musical…Theory of the Avant-Garde (1985)Critique of the Power of Judgment (2000)38. After Virtue: A Study in Moral Theory (2015)‘Phrasing – the Very Life of Music’: Performing the Music and Nineteenth-Century Performance Theory (2012)An Inquiry Into the Original of Our Ideas of Beauty and Virtue (2018)Truth and Method (1960)The Origin of German Tragic Drama (1978)Godel, Escher, Bach: An Eternal Golden Braid. (1980)Kritik der reinen Vernunft (1911)The Philosophy of the Enlightenment. (1952)Emotion and Meaning in Music (1957)THE BIAS OF “MUSIC‐INFECTED CONSCIOUSNESS”: THE AESTHETICS OF LISTENING IN THE LABORATORY AND ON THE CITY STREETS OF FIN‐DE‐SIÈCLE BERLIN AND VIENNA (2012)The Language Fallacy Inpsychology (2016)Music in an Emergent History of Psychology (2023)Language and Time (1993)The Cambridge History of Western Music Theory (2002)The Beauty of the Infinite: The Aesthetics of Christian Truth (2003)The New Grove Dictionary of Music and Musicians (1981)Die Musik in Geschichte und Gegenwart (1989)The New Grove dictionary of music and musicians (2001)Pietro Antonio Bianco’s Missa Percussit Saul mille: A Precursor of the Habsburg Imperial musica politica of the Seventeenth Century (2017)Handbuch der Literarischen Rhetorik (1960)6 Versuch einer Critischen Dichtkunst (1742) (1971)The Library of a Sixteenth-Century Music Teacher (1994)The Printing History of J.S. Bach's Musical Offering: New Interpretations (2002)Der vollkommene Capellmeister (2025)Bachs Goldberg-Variationen als zyklisches Werk (1975)Die "Anleitung..., auff allerhand Arth einen Choral durchzufuhren", als Paradigma der Lehre und der Satzkunst Johann Sebastian Bachs (1980)Johann Sebastian Bachs Notenbibliothek (1994)Zum Figur-Begriff der Musica poetica (1959)Ein chromatisches Harmonisierungs-Modell in Schuberts "Winterreise" (1969)Sources of Figurenlehren of the Baroque Era in Musicology of the German Language Space (2023)Aufsätze zur Musikästhetik und Musikgeschichte (1978)»Denn alles findet bei Bach statt« (2000)The Imperishable Johann Sebastian: Dramatik (2022)The Imperishable Johann Sebastian: Sapiens (2022)The Imperishable Johann Sebastian: Universum (2023)
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Cited by

  • 2010Aspectos da recepção alemã do Les beaux arts réduits à un même príncipe (1746) de Charles Batteux13 cited
  • 1984Allegorical Music: The "Symbolism" of Tonal Language in the Bach Canons11 cited
  • 1980The Source for Bach's Musical Offering: The Musical Offering of Quintilian10 cited
  • 2011The role of tone sensation and musical stimuli in early experimental psychology7 cited
  • 1991The Hapsburg Court of Ferdinand II and the Messa, Magnificat et Iubilate Deo a sette chori concertati con le trombe (1621) of Giovanni Valentini5 cited
  • 20201. Period Influence on the Work of Johann Sebastian Bach4 cited
  • 2013A Perfect Chord: Trinity in Music, Music in the Trinity3 cited
  • 2020Musical-Rhetorical Figures in Romanticism Heritage: Discussions on Research Methodology3 cited
  • 2011'A harmony or concord of several and diverse voices': Autonomy in 17th-Century German music theory and practice2 cited
  • 1995Ordnungsprinzipien in Johann Sebastian Bachs Klavierübung2 cited

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