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Preface - Joy Hendry Introduction - Rupert Cox and Christoph Brumann Part I: Performing Japaneseness through Heritage 1: Making 'Japanese' Tea - Kirsten Surak 2: Before Making Heritage: Internationalisation of Geisha in the Meiji Period - Mariko Okada 3: Making Art in the Japanese Way: Nihonga as Process and Symbolic Action - Arunas Gelunas Part II: Institutionalising Japanese Heritage 4: Architecture, Folklore Studies, and Cultural Democracy: Nagakura Saburo and Hida Minzoku-mura - Peter Siegenthaler 5: No Masks on Stage and in Museums: Approaches to the Contextualisation and Conservation of the Pitt Rivers Museum No Mask Collection - Rachel Payne 6: Company Culture or Patinated Past? The Display of Corporate Heritage in Sumitomo - Bart Gaens Part III: Japanese Local Heritage and the Wider World 7: A Heady Heritage: The Shifting Biography of Kashira (Puppet Heads) as Cultural Heritage Objects in the Awaji Tradition - Jane Marie Law 8: The Case of the Sash: A Search for Context in Okinawa - Amanda Mayer Stinchecum 9: Houses in Motion: The Revitalization of Kyoto's Architectural Heritage - Christoph Brumann 10: Automated Alterities: Movement and Identity in the History of the Japanese Kobi Ningyo - Rupert Cox Part IV: Perpetuating Japanese Heritage 11: Maintaining a Zen Tradition in Japan: The Concrete Problem of Priest Succession - Masaki Matsubara 12: Debating the Past to Determine the Future in Shinkyo, a Japanese Commune - Michael Shackleton
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