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Reading Aron reading Petrucci: the music examples of the Trattato della natura et cognitione di tutti gli tuoni (1525)
7 references·3 citing·29 second hop
Reading Aron reading Petrucci: the music examples of the Trattato della natura et cognitione di tutti gli tuoni (1525) (1995)Reading Aron reading Petrucci: the music …:The Order of Books: Readers, Authors, and Libraries in Europe between the Fourteenth and Eighteenth Centuries (1996):The Order of Books: Readers,…A Correspondence of Renaissance Musicians (1993)A Correspondence of Renaissan…The New Cultural History (1989)The New Cultural HistoryThe Culture of Print (1989)The Culture of PrintOrality and Literacy (1982)Orality and LiteracyMusic in the Renaissance (1954)Music in the RenaissanceSource Readings in Music History (1950)Source Readings in Music Hist…Renaissance modal theory: theoretical, compositional, and editorial perspectives (2017)Renaissance modal theory: the…La théorie de la musique (2017)La théorie de la musiqueRenaissance modal theory: theoretical, compositional, and editorial perspectives (2002)Renaissance modal theory: the…Le Istitutioni Harmoniche (1967)Tonal Types and Modal Categories in Renaissance Polyphony (1981)City Culture and the Madrigal at Venice (1995)“To Discourse Learnedly” and “Compose Beautifully” (2013)The varieties of religious experience: A study in human nature. (1902)Dizionario biografico degli italiani (1960)Coercion, Capital, and European States, AD 990-1990. (1991)The New Grove Dictionary of Music and Musicians (1981)Humanism in Italian Renaissance Musical Thought (1986)Cooperative knowledge work and practices of trust (1998)Anonymity and Authorship (1999)Scientific publishing and the reading of science in nineteenth-century Britain: a historiographical survey and guide to sources (2000)Discant, Counterpoint, and Harmony (1962)Art As Collective Action (1974)On Compositional Process in the Fifteenth Century (1987)Music Theory, Phenomenology, and Modes of Perception (1986)The End of Early Music (2007)Rethinking Market Research: Putting People Back In (1997)Signals in Social Supernets (2007)The Mediatization of Society (2008)The New Sociology of Knowledge (1994)New reading histories, print culture and the identification of change: The case of eighteenth‐century England1 (1998)Shakespeare and the Force of Modern Performance (2003)Postmodernism and the Social Sciences (1992)Consuming Modernity: Public Culture in a South Asian World (1995)Grundelemente einer Theorie sozialer Praktiken / Basic Elements of a Theory of Social Practices (2003)Vestiges of the Isorhythmic Tradition in Mass and Motet, ca. 1450-1475 (1991)Vocal performance in the seventeenth century (2012)The Cambridge History of Music Criticism (2019)
this work references cited by second hop

References

  • 1982Orality and Literacy7,002 cited
  • 1989The New Cultural History706 cited
  • 1950Source Readings in Music History307 cited
  • 1996:The Order of Books: Readers, Authors, and Libraries in Europe between the Fourteenth and Eighteenth Centuries237 cited
  • 1989The Culture of Print178 cited
  • 1954Music in the Renaissance149 cited
  • 1993A Correspondence of Renaissance Musicians98 cited

Cited by

  • 2002Renaissance modal theory: theoretical, compositional, and editorial perspectives14 cited
  • 2017Renaissance modal theory: theoretical, compositional, and editorial perspectives11 cited
  • 2017La théorie de la musique6 cited

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