References

• 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
• 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
• 2006Identification of Proteins in Renaissance Paintings by Proteomics134 cited
• 2011Ancient ‘gilded’ art objects from European cultural heritage: a review on different scales of characterization104 cited
• 2007Identification of proteinaceous binders used in artworks by MALDI-TOF mass spectrometry84 cited
• 2012Cross-Section and Staining-Based Techniques for Investigating Organic Materials in Painted and Polychrome Works of Art: A Review62 cited
• 2011Classification of protein binders in artist's paints by matrix‐assisted laser desorption/ionisation time‐of‐flight mass spectrometry: an evaluation of principal component analysis (PCA) and soft independent modelling of class analogy (SIMCA)57 cited
• 2003Analysis of earthy pigments in grounds of Baroque paintings51 cited
• 2009Integrated analytical study for the authentication of five Russian icons (XVI–XVII centuries)36 cited
• 2010Gilding Techniques in Religious Art Between East and West, 14th -18th Centuries34 cited
• 2000Brocado aplicado: fuentes escritas, materiales y técnicas de ejecución6 cited
• 1996METODOLOGÍA PARA EL ESTUDIO DEL RETABLO BARROCO5 cited
• 200618th Century church altarpieces in the Algarve, Portugal