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The evolution and democratization of modern fashion: from Frederick Worth to Karl Lagerfeld’s fast fashion
8 references·6 citing·35 second hop
The evolution and democratization of modern fashion: from Frederick Worth to Karl Lagerfeld’s fast fashion (2013)The evolution and democratization of mode…The luxury strategy: break the rules of marketing to build luxury brands (2013)The luxury strategy: break th…Histoires de la mode (2008)Histoires de la modeFashioning London: Clothing and the Modern Metropolis (2004)Fashioning London: Clothing a…Fashion Zeitgeist: Trends and Cycles in the Fashion System (2004)Fashion Zeitgeist: Trends and…Couture Culture: A Study in Modern Art and Fashion (2004)Couture Culture: A Study in M…The conquest of cool: business culture, counterculture, and the rise of hip consumerism (1998)The conquest of cool: busines…Adorned in Dreams (1995)Adorned in DreamsL'empire de l'éphémère : la mode et son destin dans les sociétés modernes (1987)L'empire de l'éphémère : la m…Theorizing the Third Generation of Fashion Designers: The Case of Pharrell Williams at Louis Vuitton (2024)Theorizing the Third Generati…Is fast fashion finally out of season? Rental clothing schemes as a sustainable and affordable alternative to fast fashion (2023)Is fast fashion finally out o…From Secondhand to Invisible Hand: Methods of Manipulating Object Biographies on The Realreal Online Marketplace (2023)From Secondhand to Invisible …Regulation for Promoting Sustainable, Fair and Circular Fashion (2022)Regulation for Promoting Sust…Barriers, brands and consumer knowledge: Slow fashion in an Australian context (2021)Barriers, brands and consumer…An investigative study of the androgynous fashion concept and its impact on the Sri Lankan fashion market (2019)An investigative study of the…A review on circular economy: the expected transition to a balanced interplay of environmental and economic systems (2015)The Circular Economy: An Interdisciplinary Exploration of the Concept and Application in a Global Context (2015)The environmental price of fast fashion (2020)Green merchandising of textiles and apparel in a circular economy: Recent trends, framework, challenges and future prospects towards sustainability (2024)Towards circular fashion: Management strategies promoting circular behaviour along the value chain (2024)Transition towards circular economy: Exploiting open innovation for circular product development (2025)Qualitative evaluation and research methods (1990)Basics of qualitative research : techniques and procedures for developing grounded theory (1998)Using thematic analysis in psychology (2006)Building consumer trust in secondhand fashion: A signaling theory perspective on how consumer orientation and environmental awareness shape engagement (2024)Decoding sustainable drivers: A systematic literature review on sustainability-induced consumer behaviour in the fast fashion industry (2025)Globalization, organizational size, and innovation in the French luxury fashion industry: Production of culture theory revisited (1997)The Coevolution of New Organizational Forms in the Fashion Industry: A Historical and Comparative Study of France, Italy, and the United States (1999)The Culture Economy of Paris∗ (2000)Regional “Worlds” of Production: Learning and Innovation in the Technology Districts of France, Italy and the USA (1993)Community and consumption (1997)The Catch-22 of Responsible Luxury: Effects of Luxury Product Characteristics on Consumers’ Perception of Fit with Corporate Social Responsibility (2013)Styling Synthetics: DuPont's Marketing of Fabrics and Fashions in Postwar America (2006)From Passive to Active Consumers? Later Life Consumption in the UK from 1968–2005 (2009)Not just old and sick – the ‘will to health’ in later life (2009)Comparing the importance of luxury value perceptions in cross-national contexts (2011)Retail Luxury Strategy: Assembling Charisma through Art and Magic (2011)Understanding luxury consumption in China: Consumer perceptions of best-known brands (2011)Consumers' Need for Uniqueness: Scale Development and Validation (2001)Why Do Brands Cause Trouble? A Dialectical Theory of Consumer Culture and Branding (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Prada and the Art of Patronage (2007)Beautiful Clothes Violet Angotti, Twentieth-Century Dress Designer (2011)The emergence of Italy as a fashion country: Nation branding and collective meaning creation at Florence’s fashion shows (1951–1965) (2017)Our bodies ourselves (1996)From Reproduction to Transformation (2003)The influence of information about labour abuses on consumer choice of clothes: a grounded theory approach (2007)BUILDING A FEMINIST THEORY OF FASHION (2008)Creativity and Sustainable Fashion Apparel Consumption (2015)‘Just hit a button!’ – fashion 4.0 designers as cyborgs, experimenting and designing with generative algorithms (2021)
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References

  • 1998The conquest of cool: business culture, counterculture, and the rise of hip consumerism852 cited
  • 2013The luxury strategy: break the rules of marketing to build luxury brands737 cited
  • 2004Couture Culture: A Study in Modern Art and Fashion104 cited
  • 1987L'empire de l'éphémère : la mode et son destin dans les sociétés modernes86 cited
  • 2004Fashion Zeitgeist: Trends and Cycles in the Fashion System84 cited
  • 1995Adorned in Dreams75 cited
  • 2004Fashioning London: Clothing and the Modern Metropolis49 cited
  • 2008Histoires de la mode33 cited

Cited by

  • 2022Regulation for Promoting Sustainable, Fair and Circular Fashion85 cited
  • 2023Is fast fashion finally out of season? Rental clothing schemes as a sustainable and affordable alternative to fast fashion39 cited
  • 2021Barriers, brands and consumer knowledge: Slow fashion in an Australian context12 cited
  • 2023From Secondhand to Invisible Hand: Methods of Manipulating Object Biographies on The Realreal Online Marketplace7 cited
  • 2024Theorizing the Third Generation of Fashion Designers: The Case of Pharrell Williams at Louis Vuitton2 cited
  • 2019An investigative study of the androgynous fashion concept and its impact on the Sri Lankan fashion market2 cited

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