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‘Cheaper than a CD, plus we really mean it’: Bay Area underground hip hop tapes as subcultural artefacts
2 references·16 citing·41 second hop
‘Cheaper than a CD, plus we really mean it’: Bay Area underground hip hop tapes as subcultural artefacts (2006)‘Cheaper than a CD, plus we really mean i…The cultural biography of things: commoditization as process (1986)The cultural biography of thi…Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Imagined Communities. Reflect…DIY Music and the Politics of Social Media (2020)DIY Music and the Politics of…The Values of Independent Hip-Hop in the Post-Golden Era (2019)The Values of Independent Hip…Conceptualising the Relationship Between Youth, Music and DIY Careers: A Critical Overview (2018)Conceptualising the Relations…Making Tapes in Poland: The Compact Cassette at Home (2017)Making Tapes in Poland: The C…From the margins to the mainstream: making and remaking an alternative music economy in Dar es Salaam (2016)From the margins to the mains…The musical analysis of hip-hop (2015)The musical analysis of hip-h…The fifth element: knowledge (2015)The fifth element: knowledgeThe Cambridge Companion to Hip-Hop (2015)The Cambridge Companion to Hi…Off the grid: instrumental hip-hop and experimentalism after the golden age (2015)Off the grid: instrumental hi…MC origins: rap and spoken word poetry (2015)MC origins: rap and spoken wo…Lyrics and flow in rap music (2015)Lyrics and flow in rap musicIntertextuality, sampling, and copyright (2015)Intertextuality, sampling, an…Hip-hop dance (2015)Hip-hop danceHip-hop and racial identification: an (auto)ethnographic perspective (2015)Hip-hop and racial identifica…Who said hip-hop was dead? The politics of hip-hop culture in Immortal Technique’s lyrics (2014)Who said hip-hop was dead? Th…“What Happens in the Cabin . . .”: An Arts-Based Autoethnography of Underground Hip Hop Song Making (2014)“What Happens in the Cabin . …Gender Trouble: Feminism and the Subversion of Identity (1991)Modernity at Large: Cultural Dimensions of Globalization. (1998)Anthropology in the Margins of the State (2005)A History of African Popular Culture (2017)The making of a ‘superstar’: the politics of playback and live performance in post-genocide Rwanda (2017)The Coloniality of Space: Landscape, Aesthetics, and the Middle Classes in Dar es Salaam (2024)The Truly Disadvantaged: The Inner City, The Underclass, and Public Policy. (1988)Black looks: race and representation (1992)The New Jim Crow: Mass Incarceration in the Age of Colorblindness (2011)The Death of Dissent and the Decline of Dissin’: A Diachronic Study of Race, Gender, and Genre in Mainstream American Rap (2017)Forging traditions: continuity and change in the mid 2000s Australian Hip-Hop scene (2019)Black Communities’ Relationship to Hip-Hop Culture, Self-Efficacy and Critical Consciousness (2025)The Black Atlantic: Modernity and Double Consciousness (1994)Flow (2019)Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop (2020)Segmentation, Phrasing, and Meter in Hip-Hop Music (2021)One Chord Wonders: Power and Meaning in Punk Rock (1985)England's dreaming : Sex Pistols and punk rock (1992)Rock Culture in Liverpool: Popular Music in the Making. (1992)Thick Big Data (2020)So close yet so far: DIY cultures in Portugal and Brazil (2021)Spotify and the democratisation of music (2021)Distinction: A Social Critique of the Judgement of Taste. (1985)Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)Nudge: improving decisions about health, wealth, and happiness (2008)Music, Digitalization, and Democracy (2021)The Nested Precarities of Creative Labor on Social Media (2021)The rise of independent artists and the paradox of democratisation in the digital age: Challenges faced by music artists in the new music industry (2023)Possessions and the Extended Self (1988)The Sacred and the Profane in Consumer Behavior: Theodicy on the Odyssey (1989)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Disjuncture and Difference in the Global Cultural Economy (1990)Discourse Analysis as Theory and Method (2002)Decolonization is not a metaphor (2012)Sampling in der Musikproduktion (2020)Saturation Season: Inclusivity, Queerness, and Aesthetics in the New Media Practices of Brockhampton (2021)Original Pirate Material (2024)Good things come in threes: triplet flow in recent hip-hop music (2019)Violence, Sexuality and Youth Linguistic Behaviour: An Exploration of Contemporary Nigerian Youth Music (2020)Keepin’ It Real (Respectable) in 2008: Barack Obama's Music Strategy and the Formation of Presidential Identity (2016)The sampling continuum: musical aesthetics and ethics in the age of digital production (2017)
this work references cited by second hop

References

  • 1985Imagined Communities. Reflections on the Origin and Spread of Nationalism25,901 cited
  • 1986The cultural biography of things: commoditization as process4,863 cited

Cited by

  • 2016From the margins to the mainstream: making and remaking an alternative music economy in Dar es Salaam94 cited
  • 2018Conceptualising the Relationship Between Youth, Music and DIY Careers: A Critical Overview91 cited
  • 2015The Cambridge Companion to Hip-Hop71 cited
  • 2015Lyrics and flow in rap music58 cited
  • 2015The musical analysis of hip-hop58 cited
  • 2015The fifth element: knowledge56 cited
  • 2020DIY Music and the Politics of Social Media48 cited
  • 2015Intertextuality, sampling, and copyright44 cited
  • 2017Making Tapes in Poland: The Compact Cassette at Home41 cited
  • 2015Hip-hop dance24 cited
  • 2015MC origins: rap and spoken word poetry23 cited
  • 2015Hip-hop and racial identification: an (auto)ethnographic perspective21 cited
  • 2015Off the grid: instrumental hip-hop and experimentalism after the golden age18 cited
  • 2014

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“What Happens in the Cabin . . .”: An Arts-Based Autoethnography of Underground Hip Hop Song Making
16 cited
  • 2019The Values of Independent Hip-Hop in the Post-Golden Era16 cited
  • 2014Who said hip-hop was dead? The politics of hip-hop culture in Immortal Technique’s lyrics14 cited