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“Oh, what matter, when for Erin dear we fall?”: music and Irish nationalism, 1848–1913
13 references·0 citing·25 second hop
“Oh, what matter, when for Erin dear we fall?”: music and Irish nationalism, 1848–1913 (2015)“Oh, what matter, when for Erin dear we f…Music and the Irish Literary Imagination (2008)Music and the Irish Literary …The Spirit of the Nation (2003)The Spirit of the NationMusic and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)Music and the Politics of Sou…Should Ethnomusicology Be Abolished? (Reprise) (1997)Should Ethnomusicology Be Abo…Folk music and dances of Ireland : a comprehensive study examining the basic elements of Irish folk music and dance traditions (1996)Folk music and dances of Irel…Casting Shadows in the Field: An Introduction (1996)Casting Shadows in the Field:…The Voice of the Past: Oral History (1978)The Voice of the Past: Oral H…Musical Allusions in the Works of James Joyce: Early Poetry through Ulysses (1977)Musical Allusions in the Work…Songs of Irish Rebellion: Political Street Ballads and Rebel Songs, 1780-1900 (1969)Songs of Irish Rebellion: Pol…Songs of Irish Rebellion: Political Street Ballads and Rebel Songs (1969)Songs of Irish Rebellion: Pol…College Music Symposium (1962)College Music SymposiumSong in the Works of James Joyce (1960)Song in the Works of James Jo…Song in the Works of James Joyce (1959)Song in the Works of James Jo…Power, Action and Belief. A New Sociology of Knowledge? (1986)A Sociology of monsters: Essays on power, technology, and domination (1991)We Have Never Been Modern (1994)A Principle of Hope: Recorded Music, Listening Practices and the Immanence of Utopia (2002)‘Failing on Deaf Ears’: A Postphenomenology of Sonorous Presence (2009)Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945 (2012)Catholic Liturgy in Joyce's Ulysses (2016)‘It’s in the silence you feel you hear’ (2020)Music Transformation in Literature (2023)Cognitive constraints on compositional systems (1992)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Action and Agency Revisited (2013)Critical Ethnography in Education: Origins, Current Status, and New Directions (1989)On Time, Space, and Action Nets (2004)Using Narrative in Social Research (2005)The Giant-Queller and the Poor Old Woman: Henry Brooke and the Two Cultures of Eighteenth-Century Ireland (2003)The Whiteboy movement, 1761-5 (1978)“Like the pictures in a magic lantern”: Gender, history, and Edgeworth's rebellion narratives (1996)Music, Emotion and Authenticity: A Study of Celtic Music Festival Consumers (2008)Introduction: Reflecting on Dance Ethnography (1999)Making connections: A case study of pre-service music education students' attitudinal change to indigenous music (2000)Democratic Pedagogies: Perspectives from Ethnomusicology and World Music Educational Contexts in the United Kingdom (2011)The Cambridge Companion to J. M. Synge (2009)Reading Music through Literature: Introduction (2017)Pedestrian Performances: Busking, Cosmopolitanism, and Ireland (2019)
this work references cited by second hop

References

  • 1978The Voice of the Past: Oral History930 cited
  • 1962College Music Symposium299 cited
  • 2000Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space133 cited
  • 2008Music and the Irish Literary Imagination95 cited
  • 1969Songs of Irish Rebellion: Political Street Ballads and Rebel Songs76 cited
  • 1959Song in the Works of James Joyce49 cited
  • 1977Musical Allusions in the Works of James Joyce: Early Poetry through Ulysses41 cited
  • 1969Songs of Irish Rebellion: Political Street Ballads and Rebel Songs, 1780-190037 cited
  • 1996Casting Shadows in the Field: An Introduction17 cited
  • 1960Song in the Works of James Joyce14 cited
  • 1997Should Ethnomusicology Be Abolished? (Reprise)9 cited
  • 2003The Spirit of the Nation7 cited
  • 1996Folk music and dances of Ireland : a comprehensive study examining the basic elements of Irish folk music and dance traditions6 cited

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