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Masked Discourse: Dramatic Representation and Generic Transformation in Wole Soyinka's A Dance of the Forests
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References

  • 1983Time and the Other: How Anthropology Makes Its Object6,775 cited
  • 1959Anatomy of Criticism: Four Essays2,196 cited
  • 1983The Differend: Phrases in Dispute1,796 cited
  • 1976The Fantastic: A Structural Approach to a Literary Genre1,582 cited
  • 1968Validity in Interpretation941 cited
  • 1997Race and the enlightenment : a reader792 cited
  • 1984Kinds of Literature: An Introduction to the Theory of Genres and Modes477 cited
  • 1982The African Experience in Literature and Ideology245 cited
  • 1992Formations of Modernity188 cited
  • 1988Art, Dialogue and Outrage: Essays on Literature and Culture138 cited
  • 1975A Superior Abstraction: Todorov on the Fantastic81 cited
  • 1997Strategic Transformations in Nigerian Writing: Orality and History in the Work of Rev. Samuel Johnson, Amos Tutuola, Wole Soyinka and Ben Okri76 cited
  • 1971The Life and Death of Literary Forms67 cited
  • 1997Anthropology and the German Enlightenment: Perspectives on Humanity49 cited
  • 2011Records of Captain Clapperton's Last Expedition to Africa43 cited
  • 1964A Dance of the Forests

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