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Chris Blackwell and “My Boy Lollipop”: Ska, Race, and British Popular Music
16 references·3 citing·30 second hop
Chris Blackwell and “My Boy Lollipop”: Ska, Race, and British Popular Music (2010)Chris Blackwell and “My Boy Lollipop”: Sk…Jews, race and popular music (2010)Jews, race and popular musicBob Marley: Herald of a Postcolonial World? (2007)Bob Marley: Herald of a Postc…Between Alienation and Citizenship : The Evolution of Black West Indian Society in Panama, 1914-1964 (2006)Between Alienation and Citize…Gdzie są moje granice? O postkolonializmie w literaturze (2003)Gdzie są moje granice? O post…Cut `n' Mix (2003)Cut `n' MixWake the Town and Tell the People: Dancehall Culture in Jamaica (2001)Wake the Town and Tell the Pe…This Is Reggae Music: The Story of Jamaica's Music (2001)This Is Reggae Music: The Sto…A right to sing the blues: African Americans, Jews, and American popular song (2000)A right to sing the blues: Af…Reggae Routes: The Story of Jamaican Music (1999)Reggae Routes: The Story of J…How Jews became white folks and what that says about race in America (1999)How Jews became white folks a…Caribbean currents: Caribbean music from rumba to reggae (1996)Caribbean currents: Caribbean…The Cambridge History of Latin America (1995)The Cambridge History of Lati…Jamaica in Independence: Essays on the Early Years (1990)Jamaica in Independence: Essa…Catch a Fire: The Life of Bob Marley (1983)Catch a Fire: The Life of Bob…Violence and Politics in Jamaica, 1960-70: Internal Security in a Developing Country (1978)Violence and Politics in Jama…Apes and Angels: The Irishman in Victorian Caricature (1972)Apes and Angels: The Irishman…Let There Be Guitar: Rhythm Techniques in the Music of Malcolm Young, Maybelle Carter, and Bob Marley (2022)Let There Be Guitar: Rhythm T…Judge Dread: Music Hall Traditionalist or Postcolonial Hybrid (2014)Judge Dread: Music Hall Tradi…Pick It Up! Pick It Up!: The Transnational Localism of Ska (2012)Pick It Up! Pick It Up!: The …Immigration, Labour Markets and Employment Relations: Problems and Prospects (2007)The Street Porter and the Philosopher: Conversations on Analytical Egalitarianism (2009)Globalization, paradox and the (un)making of identities: Immigrant Chartered Accountants of India in Canada (2012)Kingstons's Dancehall (2004)Oh Rudie: Jamaican Popular Music and the Narrative of Urban Badness in the Making of Postcolonial Society (2010)Cultivation and Catastrophe: The Lyric Ecology of Modern Black Literature (2017)Rethinking Global and Area Studies: Insights from Caribbeanist Anthropology (2003)From Kinship to Link‐up (2005)Trouble en Route: Drug Trafficking and Clientelism in Rio de Janeiro Shantytowns (2006)Racial identity and nationalism: a theoretical view from Latin America (2001)Democratizing Dance: Institutional Transformation and Hegemonic Re-Ordering in Postcolonial Jamaica (2002)Caribbean and Atlantic Diaspora Dance (2011)“What Group?” Studying Whites and Whiteness in the Era of “Color-Blindness” (2004)America's Changing Color Lines: Immigration, Race/Ethnicity, and Multiracial Identification (2004)White Identity Politics (2019)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)Globalization's Cultural Consequences (2000)Rethinking ethnography: Towards a critical cultural politics (1991)World Englishes and English-Using Communities (1997)Decolonising disability: thinking and acting globally (2011)The Oxford Handbook of The American Musical (2011)Musical Styles and Song Conventions (2012)The Filmed Musical (2012)Caribbean Religious History (2016)The Lollipop Girl's voice: Respectability, migration, and Millie Small's “My Boy Lollipop” (2016)My Mother Who Fathered Me (2021)Theorizing Gender Systems and the Project of Modernity in the Twentieth-Century Caribbean (1998)First attempt at localising imperial accountancy: the case of the Institute of Chartered Accountants of Jamaica (ICAJ) (1950s–1970s) (2004)Financial reporting as technology that supports and sustains imperial expansion, maintenance and control in the colonial and post-colonial globalisation: The case of the Jamaican economy (2006)
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References

  • 2003Gdzie są moje granice? O postkolonializmie w literaturze1,374 cited
  • 1999How Jews became white folks and what that says about race in America881 cited
  • 1972Apes and Angels: The Irishman in Victorian Caricature547 cited
  • 2001Wake the Town and Tell the People: Dancehall Culture in Jamaica358 cited
  • 2003Cut `n' Mix222 cited
  • 1996Caribbean currents: Caribbean music from rumba to reggae215 cited
  • 2000A right to sing the blues: African Americans, Jews, and American popular song179 cited
  • 1990Jamaica in Independence: Essays on the Early Years164 cited
  • 2001This Is Reggae Music: The Story of Jamaica's Music160 cited
  • 1999Reggae Routes: The Story of Jamaican Music103 cited
  • 1983Catch a Fire: The Life of Bob Marley78 cited
  • 1978Violence and Politics in Jamaica, 1960-70: Internal Security in a Developing Country68 cited
  • 2010Jews, race and popular music49 cited
  • 1995The Cambridge History of Latin America49 cited
  • 2006Between Alienation and Citizenship : The Evolution of Black West Indian Society in Panama, 1914-196443 cited
  • 2007Bob Marley: Herald of a Postcolonial World?

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33 cited

Cited by

  • 2014Judge Dread: Music Hall Traditionalist or Postcolonial Hybrid6 cited
  • 2012Pick It Up! Pick It Up!: The Transnational Localism of Ska3 cited
  • 2022Let There Be Guitar: Rhythm Techniques in the Music of Malcolm Young, Maybelle Carter, and Bob Marley2 cited