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Regulating and Negotiating in T'urot'u, a Korean Popular Song Style
6 references·2 citing·30 second hop
Regulating and Negotiating in T'urot'u, a Korean Popular Song Style (2006)Regulating and Negotiating in T'urot'u, a…Japan's Competing Modernities (2017)Japan's Competing ModernitiesKorea Old and New: A History. (1993)Korea Old and New: A History.Music for pleasure: essays in the sociology of pop (1989)Music for pleasure: essays in…Music and Society: The Politics of Composition, Performance and Reception. (1988)Music and Society: The Politi…Aesthetics as Iconicity of Style, or 'Lift-up-over Sounding': Getting into the Kaluli Groove (1988)Aesthetics as Iconicity of St…Marxism, nationalism and popular music in revolutionary Cuba (1987)Marxism, nationalism and popu…From Hanok to Hanbok: Traditional iconography in Korean hip hop music videos (2020)From Hanok to Hanbok: Traditi…K-Pop Genres: A Cross-Cultural Exploration. (2013)K-Pop Genres: A Cross-Cultura…The Latin Tinge: The Impact of Latin American Music on the United States (1980)The New Grove Dictionary of Music and Musicians (1981)"Authority" Revisited: The "Other" in Anthropology and Popular Music Studies (1990)The New Grove dictionary of music and musicians (2001)Nationalism and Latin American Music: Selected Case Studies and Theoretical Considerations (2003)"Somos Cubanos!" - timba cubana and the construction of national identity in Cuban popular music (2005)MITI and the Japanese Miracle. The Growth of Industrial Policy, 1925—1975 (1983)The USSR as a Communal Apartment, or How a Socialist State Promoted Ethnic Particularism (1994)Molding Japanese Minds: The State in Everyday Life. (1997)Rethinking the 1930s and the '15-Year War' in Japan (2001)Enthroning Hirohito: Culture and Nation in 1920s Japan (2011)Girls’ Generation? Gender, (Dis)Empowerment, and K-pop (2013)Survey Of Music Information Needs, Uses, And Seeking Behaviours: Preliminary Findings. (2004)Hybridity and the rise of Korean popular culture in Asia (2005)Wellspring: On the Myth and Source of Culture (1976)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Doing anthropology in sound (2004)‘Represent’: race, space and place in rap music (2000)Language, Localization, and the Real: Hip-Hop and the Global Spread of Authenticity (2007)The Production of Locality During the Pandemic: Feel the Rhythm of Korea and “Dynamite” (2024)The Cambridge History of American Music (1998)Time–Space (and Digital) Compression: Software Formats, Musical Networks, and the Reorganisation of the Music Industry (2001)From creator to data: the post-record music industry and the digital conglomerates (2018)Japanese colonialism and Korean development: A critique (1997)Nationalism, Confucianism, work ethic and industrialization in South Korea (2003)Immigration and Citizenship in Japan (2010)Researching youth culture and popular music: a methodological critique (2002)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)The mp3 as cultural artifact (2006)
this work references cited by second hop

References

  • 1988Music and Society: The Politics of Composition, Performance and Reception.596 cited
  • 1988Aesthetics as Iconicity of Style, or 'Lift-up-over Sounding': Getting into the Kaluli Groove381 cited
  • 1993Korea Old and New: A History.339 cited
  • 1989Music for pleasure: essays in the sociology of pop311 cited
  • 2017Japan's Competing Modernities46 cited
  • 1987Marxism, nationalism and popular music in revolutionary Cuba23 cited

Cited by

  • 2013K-Pop Genres: A Cross-Cultural Exploration.18 cited
  • 2020From Hanok to Hanbok: Traditional iconography in Korean hip hop music videos9 cited

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