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Cited by

• 2007Plagiarism Across Cultures: is There a Difference?31 cited
• 2011Toward an Open Source Poetics: Appropriation, Collaboration, and the Commons16 cited
• 2019Authorship in the long nineteenth century: a reappraisal14 cited
• 2020Intellectual Commons and the Law: A Normative Theory for Commons-Based Peer Production12 cited
• 2014Creativity, autonomy and personal touch. A critical appraisal of the CJEU’s originality test for copyright10 cited
• 2014Karl Renner and (Intellectual) Property—How Cognitive Theory Can Enrich a Sociolegal Analysis of Contemporary Copyright10 cited
• 2018Calculating the consequences of narrow Australian copyright exceptions: Measurable, hidden and incalculable costs to creators10 cited
• 2010Collaborative production and experimental labor: two models of dissertation authorship in the eighteenth century9 cited
• 2018The Tragedy of the Commonplace: Clichés in the Age of Copyright9 cited
• 2008Culture-related aspects of intellectual property rights: A cross-cultural analysis of copyright8 cited
• 2017A seethe of poets: creativity and community7 cited