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Attributes of Aesthetic Quality Used by Textile Conservators in Evaluating Conservation Interventions on Museum Costumes
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Attributes of Aesthetic Quality Used by Textile Conservators in Evaluating Conservation Interventions on Museum Costumes (2015)Attributes of Aesthetic Quality Used by T…Textile Conservator's Manual (2012)Textile Conservator's ManualConservation Treatment Methodology (2012)Conservation Treatment Method…The Boundaries of Preservation and Conservation Research (2011)The Boundaries of Preservatio…Extending the Implicit Association Test (IAT): Assessing Consumer Attitudes Based on Multi-Dimensional Implicit Associations (2011)Extending the Implicit Associ…Using digital and hand printing techniques to compensate for loss: Re‐establishing colour and texture in historic textiles (2008)Using digital and hand printi…The art of tapestry conservation (2006)The art of tapestry conservat…Tapestry Conservation: Principles and Practice (2006)Tapestry Conservation: Princi…Tapestry as upholstery: the challanges of conserving tapestry-covered seat furniture (2006)Tapestry as upholstery: the c…Contemporary theory of conservation (2002)Contemporary theory of conser…Museums in Motion: An Introduction to the History and Functions of Museums (1980)Historical and Philosophical Issues in the Conservation of Cultural Heritage (1997)Placing records continuum theory and practice (2001)Aspiring to Greatness with Hindsight and Foresight: Assessing Current Preservation and Conservation Practices of Art Museum Library Collections (2019)Between quandary and squander: an analysis of preservation practices of vernacular literature at university libraries (2022)The Past is a Foreign Country (1986)Possessed by the past: the heritage crusade and the spoils of history (1997)Deacidification for the conservation and preservation of paper-based works: A review (2010)THE SEVEN LAMPS OF ARCHITECTURE (2010)Science, value and material decay in the conservation of historic environments (2016)Review of preventive conservation in museum buildings (2017)Restoration: Is it Acceptable? (1994)Porcelain Repair and Restoration (2002)A technique for measurement of attitudes (1932)Belief, Attitude, Intention and Behavior: An Introduction to Theory and Research (1975)A power primer. (1992)The Implicit Association Test in Market Research: Potentials and Pitfalls (2013)Established liked versus disliked brands: Brain activity, implicit associations and explicit responses (2016)Revealing Unconscious Consumer Reactions to Advertisements That Include Visual Metaphors. A Neurophysiological Experiment (2020)The long-term effect of selected conservation materials used in the treatment of museum artefacts on some properties of textiles (2004)Evaluating the use of laser radiation in cleaning of copper embroidery threads on archaeological Egyptian textiles (2008)Characterization and degradation of poly(vinyl acetate)-based adhesives for canvas paintings (2014)Possible interferences of some conservation treatments with subsequent studies on fossil bones: A conservator’s overview (2011)RENOVATION PRIORITY RANKING BY MULTI-CRITERIA ASSESSMENT OF ARCHITECTURAL HERITAGE: THE CASE OF CASTLES (2014)Heritage significance and the identification of attributes to preserve in a sustainable refurbishment (2019)Developing a non-invasive tool to assess the impact of oxidation on the structural integrity of historic wool in Tudor tapestries (2017)State of the art: non-invasive interrogation of textiles in museum collections (2007)Investigating mechanical damage mechanisms of tapestries displayed at different angles using 2D DIC (2020)
this work references cited by second hop

References

  • 2002Contemporary theory of conservation419 cited
  • 2012Conservation Treatment Methodology148 cited
  • 2012Textile Conservator's Manual94 cited
  • 2011Extending the Implicit Association Test (IAT): Assessing Consumer Attitudes Based on Multi-Dimensional Implicit Associations71 cited
  • 2006Tapestry Conservation: Principles and Practice33 cited
  • 2011The Boundaries of Preservation and Conservation Research10 cited
  • 2008Using digital and hand printing techniques to compensate for loss: Re‐establishing colour and texture in historic textiles5 cited
  • 2006The art of tapestry conservation4 cited
  • 2006Tapestry as upholstery: the challanges of conserving tapestry-covered seat furniture3 cited

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