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The efficiency of micro-Raman spectroscopy in the analysis of complicated mixtures in modern paints: Munch's and Kupka's paintings under study
16 references·4 citing·30 second hop
The efficiency of micro-Raman spectroscopy in the analysis of complicated mixtures in modern paints: Munch's and Kupka's paintings under study (2015)The efficiency of micro-Raman spectroscop…Conservation of Easel Paintings (2013)Conservation of Easel Paintin…The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields (2012)The on‐site/remote Raman anal…Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples (2011)Degradation Process of Lead C…Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques (2009)Characterization of a Degrade…Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage (2008)Comparison between micro-Rama…Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Attenuated total reflection m…Pigment Compendium: A Dictionary of Historical Pigments (2007)Pigment Compendium: A Diction…Comparative study of mobile Raman instrumentation for art analysis (2007)Comparative study of mobile R…FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)FTIR Studies of the Effects o…Clay and iron oxide pigments in the history of painting (2003)Clay and iron oxide pigments …Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Catalogue of 45 reference Ram…Pigment identification in paintings employing laser induced breakdown spectroscopy and Raman microscopy (2001)Pigment identification in pai…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analysis with micro-Raman spe…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Raman microscopy: application…An integrated analytical approach for the characterization of repainted wooden statues dated to the fifteenth century (2020)An integrated analytical appr…The role of analytical chemists in the research on the cultural heritage (2019)The role of analytical chemis…An integrated diagnostic approach to Max Ernst's painting materials in his Attirement of the Bride (2019)An integrated diagnostic appr…“The Frieze of Life” by Edvard Munch: Philosophical and Art Analysis (2019)“The Frieze of Life” by Edvar…National Gallery Technical Bulletin (1979)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)The drying of linseed oil investigated by Fourier transform infrared spectroscopy: Historical recipes and influence of lead compounds (2016)Fatty Acids and Their Metal Salts: A Review of Their Infrared Spectra in Light of Their Presence in Cultural Heritage (2021)The Characterization of Metal Soaps (2003)New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials (2010)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Ancient Egyptian Materials and Industries (1948)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials (2018)The Organic Chemistry of Museum Objects (1988)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Painting Materials: A Short Encyclopedia (2011)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)Raman spectroscopic database of azo pigments and application to modern art studies (2000)Pigment identification by spectroscopic means: an arts/science interface (2002)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)Raman microscopy in archaeological science (2004)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)The crystallization of metal soaps and fatty acids in oil paint model systems (2016)A review of solvent action on oil paint (2020)Pigments—Iron-based red, yellow, and brown ochres (2022)
this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2007Pigment Compendium: A Dictionary of Historical Pigments470 cited
  • 2003Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass422 cited
  • 2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
  • 2003Clay and iron oxide pigments in the history of painting375 cited
  • 1995Raman microscopy: application to the identification of pigments on medieval manuscripts286 cited
  • 2005FTIR Studies of the Effects of Pigments on the Aging of Oil232 cited
  • 2008Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films214 cited
  • 2013Conservation of Easel Paintings184 cited
  • 2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples172 cited
  • 2012The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields168 cited
  • 2001Pigment identification in paintings employing laser induced breakdown spectroscopy and Raman microscopy

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152 cited
  • 2008Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage149 cited
  • 2007Comparative study of mobile Raman instrumentation for art analysis148 cited
  • 2009Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques143 cited
  • Cited by

    • 2020An integrated analytical approach for the characterization of repainted wooden statues dated to the fifteenth century16 cited
    • 2019An integrated diagnostic approach to Max Ernst's painting materials in his Attirement of the Bride15 cited
    • 2019The role of analytical chemists in the research on the cultural heritage12 cited
    • 2019“The Frieze of Life” by Edvard Munch: Philosophical and Art Analysis10 cited