Technologies of attribution: characterizing the citizen-consumer in surveillance performance

Abstract

Many accounts of surveillance and its subjective effects tend to focus on privacy. Along with this focus comes the assumption that surveillance’s objects are simply facts and attributes, straightforwardly ‘mined’ (or stolen) from people’s private lives. Yet, the habits and propensities ascribed to individuals through surveillance apparatuses are complex, relational phenomena: co-produced, selected and interpreted with interest by various actors. This essay begins to develop a critical language for surveillance as a form of characterization, by analysing SWAMP's McService (2003), Hasan Elahi’s Tracking Transience (2005–) and Erica Scourti’s Life in AdWords (2012–2013). Following Sara Ahmed, I theorize characterization as a ‘technology of attribution’ that attaches such interpretations of character to people within surveillant scenarios. Drawing from literary studies as well as recent work on the surveillance economy, I analyse the forms of attribution made possible within the surveillant scenarios in each of the artworks I analyse. Within these works, which span a decade between 9/11 and the Snowden revelations, one can trace an evolution of structures through which such attributions manifest: from self as threat, to self as set, to self as product.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 15 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.