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Silvestre Revueltas’s Colorines vis-à-vis US Musical Modernisms: A Dialogue of the Deaf?
16 references·0 citing·22 second hop
Silvestre Revueltas’s Colorines vis-à-vis US Musical Modernisms: A Dialogue of the Deaf? (2015)Silvestre Revueltas’s Colorines vis-à-vis…Aaron Copland and His World (2018)Aaron Copland and His WorldCarlos Chávez’s Polysemic Style: (2015)Carlos Chávez’s Polysemic Sty…Carlos Chavez and His World (2015)Carlos Chavez and His WorldEntre artes, entre actos, ecfrasis e intermedialidad (2011)Entre artes, entre actos, ecf…Silvestre Revueltas’s Redes (2010)Silvestre Revueltas’s RedesThe Sounds of the Nation: Visions of Modernity and Tradition in Mexico’s First National Congress of Music (2006)The Sounds of the Nation: Vis…Grove Music Online (2006)Grove Music OnlineMaking music modern : New York in the 1920s (2000)Making music modern : New Yor…México en 1932 : la polémica nacionalista (1999)México en 1932 : la polémica …The Enormous Vogue of Things Mexican: Cultural Relations between the United States and Mexico, 1920-1935. (1994)The Enormous Vogue of Things …The Open Work (1989)The Open WorkCuba's Nicolás Guillén. Poetry and Ideology (1983)Cuba's Nicolás Guillén. Poetr…The Copland-Sessions Concerts and Their Reception in the Contemporary Press (1979)The Copland-Sessions Concerts…The Pan American Association of Composers (1928-1934) (1972)The Pan American Association …The Art of Judging Music (1964)The Art of Judging MusicAmerican Composers on American Music; A Symposium (1962)American Composers on America…‘As if a little bird is sitting on your finger...’: metaphor as a key instrument in training professional musicians (2006)Crossmodal correspondences between sounds and tastes (2012)Music as Collective Invention: A Social Network Analysis of Composers (2014)Beyond Direct Explanation: Transactional Instruction of Reading Comprehension Strategies (1992)Theorizing in sociology and social science: turning to the context of discovery (2011)Rewriting the Language of Creativity: The Five A's Framework (2012)Music education in Shanghai from 1895 to 1945: the cultural politics of singing (2012)The Invention of Latin American Music (2020)Henrietta Yurchenco, música indígena e indigenismo interamericano en la década de 1940 (2021)"Experimentalists and Independents are Favored": John Edmunds in Conversation with Peter Yates and John Cage, 1959-61 (2008)The Origins of “Dissonant Counterpoint”: Henry Cowell's Unpublished Notebook (2011)BATACLANISMO! Or, How Female Deco Bodies Transformed Postrevolutionary Mexico City (2010)Chicano nations: the hemispheric origins of Mexican American literature (2012)Currents in Afro-Latin American Political and Social Thought (2018)Making Music Modern (2000)American Stravinsky : The Style and Aesthetics of Copland's New American Music, the Early Works, 1921-1938 (2012)"New Music" and the "New Negro": The Background of William Grant Still's "Afro-American Symphony" (1992)“Everybody Step”: Irving Berlin, Jazz, and Broadway in the 1920s (2006)Big Ears (2008)In Havana and Paris: The Musical Activities of Alejo Carpentier (2008)The Structure and Genesis of Copland'sQuiet City (2010)Aaron Copland and the Politics of Cultural Diplomacy (2011)
this work references cited by second hop

References

  • 1989The Open Work466 cited
  • 2006Grove Music Online255 cited
  • 2000Making music modern : New York in the 1920s99 cited
  • 1972The Pan American Association of Composers (1928-1934)66 cited
  • 1994The Enormous Vogue of Things Mexican: Cultural Relations between the United States and Mexico, 1920-1935.52 cited
  • 1979The Copland-Sessions Concerts and Their Reception in the Contemporary Press35 cited
  • 1962American Composers on American Music; A Symposium33 cited
  • 2018Aaron Copland and His World27 cited
  • 2006The Sounds of the Nation: Visions of Modernity and Tradition in Mexico’s First National Congress of Music19 cited
  • 1999México en 1932 : la polémica nacionalista13 cited
  • 1983Cuba's Nicolás Guillén. Poetry and Ideology12 cited
  • 2015Carlos Chávez’s Polysemic Style:9 cited
  • 2010Silvestre Revueltas’s Redes6 cited
  • 2011Entre artes, entre actos, ecfrasis e intermedialidad6 cited
  • 2015Carlos Chavez and His World5 cited
  • 1964The Art of Judging Music4 cited

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