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Site-Specific theatre: new perspectives on pedagogy and performance
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Site-Specific theatre: new perspectives on pedagogy and performance (2015)Site-Specific theatre: new perspectives o…Making a performance: devising histories and contemporary practices (2008)Making a performance: devisin…Making a Performance (2007)Making a PerformanceDeveloping an ethics of practice in applied theatre: Badiou and fidelity to the truth of the event (2005)Developing an ethics of pract…Creativity from Constraints: The Psychology of Breakthrough (2005)Creativity from Constraints: …Applied Drama (2005)Applied DramaA Director Prepares (2003)A Director PreparesTheory/Theatre: An Introduction (2002)Theory/Theatre: An Introducti…Theatre/Archaeology: Disciplinary Dialogues (2001)Theatre/Archaeology: Discipli…Site-Specific Art: Performance, Place and Documentation (2000)Site-Specific Art: Performanc…Devising Theatre: A Practical and Theoretical Handbook (1994)Devising Theatre: A Practical…Ethics: an essay on the understanding of evil (2002)Applied Theatre (2003)Applied Theatre: Bewilderment and Beyond (2003)Personal stories in applied theatre contexts: redefining the blurred lines (2016)The Christchurch earthquakes 2010, 2011: Geographies of an event (2017)From writing ethics to doing ethics: ethical questioning of a practitioner (2021)Teaching choreography in higher education: a process continuum model (2004)The Cambridge History of British Theatre (2004)Making and Gifting Belonging: Creative Arts and People with Learning Disabilities (2013)Vision, Media, Noise and the Percolation of Time (2006)The Cambridge Introduction to Theatre Studies (2008)Geography and art. An expanding field (2012)On the nature of theoretical archaeology and archaeological theory (2006)History and GIS (2012)Thinking Site: An Introduction (2014)Performing for the gods? Dance and embodied ritual in British Hindu temples (2009)Improvisation and Social Aesthetics (2017)Postdramatic Tragedies (2019)Assessing General Creativity and Creative Engineering Design in First Year Engineering Students (2009)Creativity in the Classroom (2010)Creativity and Constraints: Exploring the Role of Constraints in the Creative Processes of Research and Development Teams (2014)Philosophy for Managers: Reflections of a Practitioner (2008)Queer Punk Macha Femme: Leslie Mah’s Musical Performance in Tribe 8 (2010)An Aesthetic of Relationality: Embodiment, Imagination, and the Necessity of Playing the Fool in Research-Informed Theater (2017)A Survey of Teaching Artists in Dance and Theater: Implications for Preparation, Curriculum, and Professional Degree Programs (2011)Theatre and Knowing: Considering the Pedagogical Spaces in Devised Theatre (2011)Drama for change? Prove it! Impact assessment in applied theatre (2006)Taming the political: the struggle over recognition in the politics of applied theatre (2007)Participatory Theatre as a Research Methodology: Identity, Performance and Social Action among Refugees (2008)What They Came With (2007)Slaves and Roman Comedy (2019)The Cambridge Companion to Roman Comedy (2019)
this work references cited by second hop

References

  • 2000Site-Specific Art: Performance, Place and Documentation337 cited
  • 2005Creativity from Constraints: The Psychology of Breakthrough281 cited
  • 2005Applied Drama271 cited
  • 1994Devising Theatre: A Practical and Theoretical Handbook213 cited
  • 2002Theory/Theatre: An Introduction115 cited
  • 2008Making a performance: devising histories and contemporary practices114 cited
  • 2001Theatre/Archaeology: Disciplinary Dialogues96 cited
  • 2007Making a Performance72 cited
  • 2003A Director Prepares70 cited
  • 2005Developing an ethics of practice in applied theatre: Badiou and fidelity to the truth of the event35 cited

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