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Williams, Walker, and Shine: Blackbody Blackface, or the Importance of Being Surface
16 references·1 citing·30 second hop
Williams, Walker, and Shine: Blackbody Blackface, or the Importance of Being Surface (2015)Williams, Walker, and Shine: Blackbody Bl…The Wages of Whiteness (2017)The Wages of WhitenessSkin acts: race, psychoanalysis, and the black male performer (2015)Skin acts: race, psychoanalys…The sovereignty of quiet: beyond resistance in black culture (2013)The sovereignty of quiet: bey…Second skin: Josephine Baker and the modern surface (2011)Second skin: Josephine Baker …Racial Innocence: Performing American Childhood from Slavery to Civil Rights (2011)Racial Innocence: Performing …Performing remains art and war in times of theatrical reenactment (2011)Performing remains art and wa…Bodies in dissent: spectacular performances of race and freedom, 1850-1910 (2007)Bodies in dissent: spectacula…Thing Theory (2001)Thing TheoryScenes of subjection: terror, slavery, and self-making in nineteenth-century America (1998)Scenes of subjection: terror,…Cities of the Dead: Circum-Atlantic Performance. (1997)Cities of the Dead: Circum-At…Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot. (1997)Blackface, White Noise: Jewis…Love and Theft: Blackface Minstrelsy and the American Working Class. (1996)Love and Theft: Blackface Min…The Wages of Whiteness: Race and the Making of the American Working Class. (1993)The Wages of Whiteness: Race …Brecht on Theatre: The Development of an Aesthetic (1964)Brecht on Theatre: The Develo…A Prague School reader on esthetics, literary structure, and style . Selected and translated from the original Czech by Paul L. Garvin. With an appendix: A critical bibliography of Prague School writing on esthetics, literary structure, and style. (Publications of the Washington Linguistic Club, No. 1.) Pp. iv, 186, mimeographed. Washington: Washington Linguistic Club, 1955. (1955)A Prague School reader on est…The Autobiography of an Ex-Coloured Man (1949)The Autobiography of an Ex-Co…‘Tout de noir vêtu’: Skin and surface in the rap of Abd al Malik (2018)‘Tout de noir vêtu’: Skin and…Passionate amateurs: theatre, communism, and love (2014)Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention (2018)Archive Feelings: A Theory of Greek Tragedy (2020)Stage Fright, Animals, and Other Theatrical Problems (2006)A Narrative Policy Framework: Clear Enough to Be Wrong? (2010)Theory Construction in Qualitative Research (2012)The English Professors of Brazil: On the Diasporic Roots of the Yorùbá Nation (1999)Dead Geographies—And How to Make Them Live (2000)Cultural geography: the busyness of being `more-than-representational' (2005)Rethinking Environmental Racism: White Privilege and Urban Development in Southern California (2000)Bright vs. blurred boundaries: Second-generation assimilation and exclusion in France, Germany, and the United States (2004)Dis/ability critical race studies (DisCrit): theorizing at the intersections of race and dis/ability (2012)“Tyra Banks Is Fat”: Reading (Post-)Racism and (Post-)Feminism in the New Millennium (2009)Fictions of Justice: The International Criminal Court and the Challenge of Legal Pluralism in Sub-Saharan Africa (2009)The Race of Sound Listening, Timbre, and Vocality in African American Music (2019)Rethinking assimilation theory for a new era of immigration. (1997)Generic Processes in the Reproduction of Inequality: An Interactionist Analysis (2000)Flint, Environmental Racism, and Racial Capitalism (2016)African American English: A Linguistic Introduction (2004)Hybrid Masculinities: New Directions in the Sociology of Men and Masculinities (2014)Signs of Difference (2019)Gramsci's Black Marx: Whither the Slave in Civil Society? (2003)Demonic Grounds: Black Women And The Cartographies Of Struggle (2006)The Promise of Empathy (2019)Toward an Ecology of Materials (2010)Human‐thing entanglement: towards an integrated archaeological perspective (2011)For Whom the Ontology Turns: Theorizing the Digital Real (2016)Unaccounted Foundations: Black Girls, Anti-Black Racism, and Punishment in Schools (2014)Reconceptualising Agency and Childhood (2016)A world without innocence (2017)
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References

  • 2017The Wages of Whiteness2,119 cited
  • 1964Brecht on Theatre: The Development of an Aesthetic1,552 cited
  • 1998Scenes of subjection: terror, slavery, and self-making in nineteenth-century America1,350 cited
  • 2001Thing Theory1,168 cited
  • 1993The Wages of Whiteness: Race and the Making of the American Working Class.1,124 cited
  • 1997Cities of the Dead: Circum-Atlantic Performance.958 cited
  • 2011Racial Innocence: Performing American Childhood from Slavery to Civil Rights835 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 2011Performing remains art and war in times of theatrical reenactment633 cited
  • 2007Bodies in dissent: spectacular performances of race and freedom, 1850-1910624 cited
  • 2011Second skin: Josephine Baker and the modern surface440 cited
  • 2013The sovereignty of quiet: beyond resistance in black culture433 cited
  • 1955A Prague School reader on esthetics, literary structure, and style . Selected and translated from the original Czech by Paul L. Garvin. With an appendix: A critical bibliography of Prague School writing on esthetics, literary structure, and style. (Publications of the Washington Linguistic Club, No. 1.) Pp. iv, 186, mimeographed. Washington: Washington Linguistic Club, 1955.373 cited
  • 1997Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot.

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347 cited
  • 1949The Autobiography of an Ex-Coloured Man140 cited
  • 2015Skin acts: race, psychoanalysis, and the black male performer119 cited
  • Cited by

    • 2018‘Tout de noir vêtu’: Skin and surface in the rap of Abd al Malik13 cited