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Ray Holman and the Changing Role of the Steelband, 1957-72
4 references·0 citing·14 second hop
Ray Holman and the Changing Role of the Steelband, 1957-72 (2001)Ray Holman and the Changing Role of the S…Dropping the Bomb: Steelband Performance and Meaning in 1960s Trinidad (2002)Dropping the Bomb: Steelband …The Steelband Movement: The Forging of a National Art in Trinidad and Tobago (1998)The Steelband Movement: The F…Carnival, Canboulay and calypso: traditions in the making (1997)Carnival, Canboulay and calyp…Response to Rice (1987)Response to RiceThe Structure of Scientific Revolutions (1963)Hacía la unificación teórica de la musicología histórica y la etnomusicología (1989)The Role of Music in the Renewed Self-Identity of Karaite Jewish Refugee Communities from Cairo (1989)Catching Rhymes: Generative Musical Processes in the Compositions of a French Newfoundland Fiddler (1993)3.2. MARXISM AND LITERATURE (2006)Singing Together/Meaning Apart: Popular Music, Participation, and Cultural Politics in Salvador, Brazil (2010)Culture and Imperialism (2017)Rabelais and his world (2020)“Indian” music in the diaspora: Case studies of “chutney” in Trinidad and in London (1996)GLOBALIZATION AND TRINIDAD CARNIVAL: DIASPORA, HYBRIDITY AND IDENTITY IN GLOBAL CULTURE (1999)The rise of calypso feminism: gender and musical politics in the calypso (2001)Emancipating the nation (again): Notes on nationalism, “modernization,” and other dilemmas in post‐colonial Jamaica (1999)Nationalism and Latin American Music: Selected Case Studies and Theoretical Considerations (2003)Rethinking Global and Area Studies: Insights from Caribbeanist Anthropology (2003)
this work references cited by second hop

References

  • 1997Carnival, Canboulay and calypso: traditions in the making132 cited
  • 1998The Steelband Movement: The Forging of a National Art in Trinidad and Tobago52 cited
  • 2002Dropping the Bomb: Steelband Performance and Meaning in 1960s Trinidad16 cited
  • 1987Response to Rice11 cited

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