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Cited by

• 2019Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation15 cited
• 2019The ‘West’ versus ‘the Rest’? Festival Curators as Gatekeepers for Sociocultural Diversity11 cited
• 2014Biennials that promote an ‘emancipatory politics’10 cited
• 2013Application and Autonomy: The Reach and Span of Contemporary Art Didactics9 cited
• 2015Encountering the Creative Museum: Museographic creativeness and thebricolageof time materials7 cited
• 2021Curatorial Research as Boundary Work7 cited
• 2018The Exhibition as an Experiment: An Analogy and Its Implications5 cited
• 2014Artists’ Photographic Reflections: Imag(in)ing the Art Museum through Fictional Narratives4 cited
• 2016Institutional Engagement and the Growing Role of Ethics in Contemporary Curatorial Practice4 cited
• 2018Los jóvenes se hacen con el museo. Pedagogías del empoderamiento2 cited
• 2020The curator in the art world and in the museum: History, theories and current issues2 cited
• 2023Artworks and Art History: Toward a Deeper Engagement with Art Exhibition and/as Art2 cited
• 2019Artista enquanto curador1 cited
• 2019Conceptualization of Pavlo Hudimov’s Curatorial Methods (Professional and Academic Interview)