Sounds of Revelation: Aesthetic-Political Theology in Schoenberg's Moses und Aron

Ruth HaCohen

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Musicology and Musical Analysis Modernist Literature and Criticism Literature, Musicology, and Cultural Analysis

Abstract

Ruth HaCohen (Hebrew University) explores Modernism's artistic exploration of its relationship to theology by taking up Schoenberg's late, unfinished opera Moses and Aaron. Reading that opera as a theological-political-aesthetic Tractatus in the tradition of Spinoza, HaCohen draws out the theological implications of Schoenberg's radical rethinking of formal conventions as these organize the relationship between music and text.

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