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Hip-hop Realness and the White Performer
14 references·16 citing·28 second hop
Hip-hop Realness and the White Performer (2005)Hip-hop Realness and the White PerformerLiveness: performance in a mediatized culture (2008)Liveness: performance in a me…Prophets of the hood: politics and poetics in hip hop (2005)Prophets of the hood: politic…Prophets of the Hood (2004)Prophets of the HoodEminem's Construction of Authenticity (2004)Eminem's Construction of Auth…The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop (2002)The 'Hood Comes First: Race, …The 'Hood Comes First (2002)The 'Hood Comes FirstRap music and the poetics of identity (2000)Rap music and the poetics of …Creating Country Music: Fabricating Authenticity. (1999)Creating Country Music: Fabri…Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation (1999)Authenticity Within Hip-Hop a…Hip Hop America (1998)Hip Hop AmericaCreating Country Music (1997)Creating Country MusicDroppin' science : critical essays on rap music and hip hop culture (1996)Droppin' science : critical e…Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Outlaw Culture: Resisting Representations (1994)Outlaw Culture: Resisting Rep…The authority and authenticity of performative Englishes in popular culture (2020)The authority and authenticit…Flow (2019)Flow‘Cash me ousside’: A citizen sociolinguistic analysis of online metalinguistic commentary (2018)‘Cash me ousside’: A citizen …“We Stick Out Like a Sore Thumb . . .” (2015)“We Stick Out Like a Sore Thu…‘First things first, I'm the realest’: Linguistic appropriation, white privilege, and the hip‐hop persona of Iggy Azalea (2015)‘First things first, I'm the …Hybrid Masculinities: New Directions in the Sociology of Men and Masculinities (2014)Hybrid Masculinities: New Dir…Two Strikes and the Double Negative: The Intersections of Gender and Race in the Cases of Female Jazz Saxophonists (2013)Two Strikes and the Double Ne…The Survivor’s Odyssey: K’naan’s The Dusty Foot Philosopher as a Modern Epic (2013)The Survivor’s Odyssey: K’naa…Gangs and gangsta rap in Chicago: A microscenes perspective (2013)Gangs and gangsta rap in Chic…From Appropriation to Translation: Localizing Rap Music to Finland (2013)From Appropriation to Transla…Playing With Fire: Cycles of Domestic Violence in Eminem and Rihanna's “Love the Way You Lie” (2012)Playing With Fire: Cycles of …Hip-hop in a Post-insular Community (2009)Hip-hop in a Post-insular Com…‘People take for granted that you know how to dance Salsa and Merengue’: transnational diasporas, visual discourses and racialized knowledge in Sweden's contemporary Latin music boom (2009)‘People take for granted that…Racial Authenticity in Rap Music and Hip Hop (2008)Racial Authenticity in Rap Mu…Hip‐Hop Language in Sociolinguistics and Beyond (2007)Hip‐Hop Language in Socioling…Was Foucault a plagiarist? Hip-hop sampling and academic citation (2006)Was Foucault a plagiarist? Hi…Masculinity as Homophobia: Fear, Shame, and Silence in the Construction of Gender Identity (1994)Black Sexual Politics (2004)Hegemonic Masculinity (2005)Inclusive Masculinity Theory: overview, reflection and refinement (2016)Work as a Masculinity Contest (2018)What is “Toxic Masculinity” and Why Does it Matter? (2020)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Mediatization of Society (2008)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Emerging Criteria for Quality in Qualitative and Interpretive Research (1995)Locating processes of identification: studying the precipitates of re‐memory through artefacts in the British Asian home (2004)Intersectionality as buzzword (2008)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Musicking: The Meanings of Performing and Listening (2000)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)Consumer Perceptions of Iconicity and Indexicality and Their Influence on Assessments of Authentic Market Offerings (2004)Crafting Brand Authenticity: The Case of Luxury Wines* (2005)Measuring consumer-based brand authenticity (2013)Language, Localization, and the Real: Hip-Hop and the Global Spread of Authenticity (2007)Framing and Reviewing Hip-Hop Educational Research (2009)Tweets, Tweeps, and Signifyin’ (2013)Social Entrepreneurship: Why We Don't Need a New Theory and How We Move Forward From Here (2010)The New Politics of Community (2010)Misogyny in Rap Music (2009)Empire of Dirt: The Aesthetics and Rituals of British Indie Music (2013)Why Youth Heart Social Network Sites: The Role of Networked Publics in Teenage Social Life (2017)Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)
this work references cited by second hop

References

  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 1994Outlaw Culture: Resisting Representations984 cited
  • 1997Creating Country Music702 cited
  • 2002The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop595 cited
  • 2005Prophets of the hood: politics and poetics in hip hop508 cited
  • 2000Rap music and the poetics of identity499 cited
  • 1999Creating Country Music: Fabricating Authenticity.484 cited
  • 2004Prophets of the Hood449 cited
  • 1996Droppin' science : critical essays on rap music and hip hop culture386 cited
  • 1999Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation382 cited
  • 2002The 'Hood Comes First368 cited
  • 1998Hip Hop America252 cited
  • 2004Eminem's Construction of Authenticity178 cited

Cited by

  • 2014Hybrid Masculinities: New Directions in the Sociology of Men and Masculinities962 cited
  • 2015‘First things first, I'm the realest’: Linguistic appropriation, white privilege, and the hip‐hop persona of Iggy Azalea

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

93 cited
  • 2008Racial Authenticity in Rap Music and Hip Hop81 cited
  • 2013Gangs and gangsta rap in Chicago: A microscenes perspective78 cited
  • 2006Was Foucault a plagiarist? Hip-hop sampling and academic citation71 cited
  • 2018‘Cash me ousside’: A citizen sociolinguistic analysis of online metalinguistic commentary55 cited
  • 2012Playing With Fire: Cycles of Domestic Violence in Eminem and Rihanna's “Love the Way You Lie”55 cited
  • 2007Hip‐Hop Language in Sociolinguistics and Beyond51 cited
  • 2019Flow50 cited
  • 2013Two Strikes and the Double Negative: The Intersections of Gender and Race in the Cases of Female Jazz Saxophonists31 cited
  • 2009‘People take for granted that you know how to dance Salsa and Merengue’: transnational diasporas, visual discourses and racialized knowledge in Sweden's contemporary Latin music boom30 cited
  • 2009Hip-hop in a Post-insular Community23 cited
  • 2015“We Stick Out Like a Sore Thumb . . .”21 cited
  • 2013From Appropriation to Translation: Localizing Rap Music to Finland19 cited
  • 2013The Survivor’s Odyssey: K’naan’s The Dusty Foot Philosopher as a Modern Epic18 cited
  • 2020The authority and authenticity of performative Englishes in popular culture17 cited