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Queer Voices: Technologies, Vocalities, and the Musical Flaw · Study

BookQueer Voices: Technologies, Vocalities, and the Musical Flaw

Freya Jarman-Ivens2011

Book2011

Queer Voices: Technologies, Vocalities, and the Musical Flaw

Freya Jarman-Ivens

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Gender and Feminist Studies Musicology and Musical Analysis Music History and Culture

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2015Empowered or Objectified? Personal Narrative and Audiovisual Aesthetics in Beyoncé’sPartition 2015Digital Voices, Other Rooms: Pussy Riot’s Recalcitrant (In)Corporeality 2013Claiming Queer Territory in the Study of Subcultures and Popular Music 2017Skinny blues: Karen Carpenter, anorexia nervosa and popular music 2018Sigur Rós: reception, borealism, and musical style 2016Fashioning a Post Boy Band Masculinity: On the Seductive Dreamscape of Zayn’sPillowtalk 2015Sonic Performativity: Analysing Gender in North Indian Classical Vocal Music 2013You Say Invisible, I Say Ubiquitous: A (Formally Former) Student’s Response to Philip Tagg’s ‘Caught on the Back Foot: Epistemic Inertia and Visible Music’.

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Year2011

Typebook

Published2011-05-27

Languageen

Citations76

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ShelfGender and Feminist Studies

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openalex_workW2178428928

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