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over the treatment of non-Western art and material culture in museums. I have chosen to bypass the steady flow of solid ethnographic studies of traditional arts and popular arts, and the emergence of new theoretical concerns in these studies for two reasons. 1 First, academic anthropologists rarely consider mu seum anthropology as an important area for the employment of anthropolo gists, and thus for the training of students. The situation for anthropologists in museums is rapidly changing and aspiring curators should be advised of the directions of change. Second, museum anthropologists
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