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Alternative methodology for traditional interventions: A colonial painting and its lining with the nap bond method
8 references·1 citing·15 second hop
Alternative methodology for traditional interventions: A colonial painting and its lining with the nap bond method (2015)Alternative methodology for traditional i…Lining paintings : papers from the Greenwich Conference on Comparative Lining Techniques (2003)Lining paintings : papers fro…El retablo barroco, escenografía e imagen (2001)El retablo barroco, escenogra…Conservation of Paintings: Research and Innovations (2001)Conservation of Paintings: Re…Conservation of Paintings: Research and Innovations (2001)Conservation of Paintings: Re…Science et Patience, ou la restauration des peintures (1992)Science et Patience, ou la re…Iconografia del arte colonial: los santos (1992)Iconografia del arte colonial…Criteria for Treatment: Reversibility (1987)Criteria for Treatment: Rever…Rentoilage et transposition des tableaux (1983)Rentoilage et transposition d…Del lino europeo al cedro americano. Los materiales vegetales en los soportes de la pintura colonial sudamericana (2017)Del lino europeo al cedro ame…Mechanical Behavior of Paintings Subjected to Changes in Temperature and Relative Humidity (1991)Conservation of paintings (1997)Consolidation of Archaeological Bone: A Conservation Perspective (1994)Determining Minimum Intervention in the Preservation of Heritage Buildings (2019)Biologically Derived Gels for the Cleaning of Historical and Artistic Metal Heritage (2021)A study on reversibility of BEVA®371 in the lining of paintings (2014)Original and reformulated BEVA ® 371: Composition and assessment as a consolidant for painted surfaces (2014)Novel nanomaterials to stabilise the canvas support of paintings assessed from a conservator’s point of view (2020)Approaches to the reintegration of paint loss: theory and practice in the conservation of easel paintings (2009)Evaluation of the intervention of a folding screen belonging to the Momoyama period by Raman spectroscopy using different wavelengths (2012)Non-Destructive and portable analyses helping the study and conservation of a Saraceni copper plate painting in the São Paulo museum of art (2020)La arquitectura como retórica. Dos espacios sagrados teatralizados en El Monasterio del Escorial: el transparente litúrgico de la basílica y el trasaltar de la sacristía (2021)The long-term stability of a popular heat-seal adhesive for the conservation of painted cultural objects (2014)Distorted oil paintings and wax-resin impregnation – A kinetic study of moisture sorption and tension in canvas (2019)Imanes de neodimio como propuesta de mínima intervención para procesos de conservación en soporte de tela pintados: corrección de deformaciones (2019)
this work references cited by second hop

References

  • 1987Criteria for Treatment: Reversibility101 cited
  • 2001Conservation of Paintings: Research and Innovations35 cited
  • 2003Lining paintings : papers from the Greenwich Conference on Comparative Lining Techniques30 cited
  • 1992Science et Patience, ou la restauration des peintures16 cited
  • 2001Conservation of Paintings: Research and Innovations14 cited
  • 1992Iconografia del arte colonial: los santos7 cited
  • 2001El retablo barroco, escenografía e imagen4 cited
  • 1983Rentoilage et transposition des tableaux4 cited

Cited by

  • 2017Del lino europeo al cedro americano. Los materiales vegetales en los soportes de la pintura colonial sudamericana1 cited

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