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Becoming the “Black Swan” in Mid-Nineteenth-Century America:
16 references·1 citing·31 second hop
Becoming the “Black Swan” in Mid-Nineteenth-Century America: (2014)Becoming the “Black Swan” in Mid-Nineteen…Racial Uplift and American Music, 1878-1943 (2012)Racial Uplift and American Mu…Marian Anderson and “Sonic Blackness” in American Opera (2011)Marian Anderson and “Sonic Bl…Abolitionism’s Resonant Bodies: The Realization of African American Performance (2011)Abolitionism’s Resonant Bodie…Bodies in dissent: spectacular performances of race and freedom, 1850-1910 (2007)Bodies in dissent: spectacula…Black women and music: more than the blues (2007)Black women and music: more t…The "tragic mulatta" revisited: race and nationalism in nineteenth-century antislavery fiction (2005)The "tragic mulatta" revisite…Lying up a Nation: Race and Black Music (2003)Lying up a Nation: Race and B…From Paris to Peoria: How European Piano Virtuosos Brought Classical Music to the American Heartland (2003)From Paris to Peoria: How Eur…The arts of deception: playing with fraud in the age of Barnum (2002)The arts of deception: playin…The Early Life and Career of the "Black Patti": The Odyssey of an African American Singer in the Late Nineteenth Century (2000)The Early Life and Career of …Music and the racial imagination (2000)Music and the racial imaginat…The Inhuman Race: The Racial Grotesque in American Literature and Culture (1999)The Inhuman Race: The Racial …E Pluribus Barnum: The Great Showman and the Making of U.S. Popular Culture. (1998)E Pluribus Barnum: The Great …Love and Theft: Blackface Minstrelsy and the American Working Class. (1996)Love and Theft: Blackface Min…Forging Freedom: The Formation of Philadelphia's Black Community, 1720-1840 (1989)Forging Freedom: The Formatio…The Music of Black Americans: A History (1974)The Music of Black Americans:…Affect, language, race, voice: opera singers in nineteenth-century United States (2020)Affect, language, race, voice…Everybody's Autobiography (1937)Singing: The Mechanism and the Technic (1968)Nonlanguage factors affecting undergraduates' judgments of nonnative English-speaking teaching assistants (1992)The Pragmatics of Qualia in Practice (2015)Loving Music Till It Hurts (2019)The Race of Sound Listening, Timbre, and Vocality in African American Music (2019)Oral and literate traditions among Black Americans living in poverty. (1989)Slavery and politics in the early American republic (2007)Running Away from Drapetomania: Samuel A. Cartwright, Medicine, and Race in the Antebellum South (2018)Black Music as an Art Form (1983)Shaping the Popular Image of Post-Reconstruction American Blacks: The "Coon Song" Phenomenon of the Gilded Age (1988)When Malindy Sings: A Meditation on Black Women’s Vocality (2004)Fear and Desire: Regional Aesthetics and Colonial Desire in Kate Chopin's Portrayals of the Tragic Mulatta Stereotype (2010)Racisms: An Introduction (2010)Animal Humanism: Race, Species, and Affective Kinship in Nineteenth-Century Abolitionism (2013)“Tyra Banks Is Fat”: Reading (Post-)Racism and (Post-)Feminism in the New Millennium (2009)Fictions of Justice: The International Criminal Court and the Challenge of Legal Pluralism in Sub-Saharan Africa (2009)African American English: A Linguistic Introduction (2004)Hybrid Masculinities: New Directions in the Sociology of Men and Masculinities (2014)Signs of Difference (2019)Modernity, Disenchantment, and the Ironic Imagination (2004)Pictures of Evolution and Charges of Fraud (2006)Modern Magic and the War on Miracles in French Colonial Culture (2009)Music and the Global Order (2004)Why does country music sound white? Race and the voice of nostalgia (2007)Race and the Yugoslav region (2018)Banding together: how communities create genres in popular music (2012)The new ‘tween’ music industry: The Disney Channel, Kidz Bop and an emerging childhood counterpublic (2012)Examining Millie and Christine McKoy: Where Enslavement and Enfreakment Meet (2011)Model minorities and the minority model – the neoliberal novel (2011)The New Cambridge Companion to Herman Melville (2013)
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References

  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 2000Music and the racial imagination629 cited
  • 2007Bodies in dissent: spectacular performances of race and freedom, 1850-1910624 cited
  • 1974The Music of Black Americans: A History207 cited
  • 1989Forging Freedom: The Formation of Philadelphia's Black Community, 1720-1840163 cited
  • 2011Marian Anderson and “Sonic Blackness” in American Opera161 cited
  • 2003Lying up a Nation: Race and Black Music152 cited
  • 2002The arts of deception: playing with fraud in the age of Barnum142 cited
  • 2005The "tragic mulatta" revisited: race and nationalism in nineteenth-century antislavery fiction96 cited
  • 1999The Inhuman Race: The Racial Grotesque in American Literature and Culture83 cited
  • 2012Racial Uplift and American Music, 1878-194365 cited
  • 2000The Early Life and Career of the "Black Patti": The Odyssey of an African American Singer in the Late Nineteenth Century63 cited
  • 1998E Pluribus Barnum: The Great Showman and the Making of U.S. Popular Culture.55 cited
  • 2007Black women and music: more than the blues41 cited
  • 2011Abolitionism’s Resonant Bodies: The Realization of African American Performance

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24 cited
  • 2003From Paris to Peoria: How European Piano Virtuosos Brought Classical Music to the American Heartland24 cited
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    • 2020Affect, language, race, voice: opera singers in nineteenth-century United States4 cited