SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
What Would the Community Think: Communal Values in Independent Music
6 references·1 citing·22 second hop
What Would the Community Think: Communal Values in Independent Music (2006)What Would the Community Think: Communal …Site and sound : understanding independent music scenes (2003)Site and sound : understandin…Authenticity as authentication (2002)Authenticity as authenticationWe owe you nothing : Punk Planet: the collected interviews (2001)We owe you nothing : Punk Pla…Tramps like Us: Music and Meaning among Springsteen Fans (2001)Tramps like Us: Music and Mea…Systems of articulation, logics of change: Communities and scenes in popular music (1991)Systems of articulation, logi…The Hidden Musicians: Music-Making in an English Town (1989)The Hidden Musicians: Music-M…Independent Producers: A Guide to 21st Century Independent Music Promotion and Distribution (2011)Independent Producers: A Guid…Case Study: A Strategic Research Methodology (2008)Does Chatter Matter? The Impact of User-Generated Content on Music Sales (2009)The Wealth of Networks (2017)Studying Popular Music (1990)Running with the devil: power, gender, and madness in heavy metal music (1993)Club cultures: music, media and subcultural capital (1996)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Femvertising or femwashing? Women's perceptions of authenticity (2022)INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)Subcultures, Scenes or Tribes? None of the Above (2005)Celebrity Politicians: Popular Culture and Political Representation (2004)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Shrines and Pilgrimage in the Modern World : New Itineraries into the Sacred (2008)Places around us: embodied lay geographies in leisure and tourism (2000)Mutual Learning and Democratic Action in Instrumental Music Education (2003)Technology Adoption and Use in the Aftermath of Hurricane Katrina in New Orleans (2010)The Swedish Model: Balancing Markets and Gifts in the Music Industry (2011)Platform pop: disentangling Spotify’s intermediary role in the music industry (2020)"PUT THE FUN BETWEEN YOUR LEGS!": THE POLITICS AND COUNTERCULTURE OF THE BICYCLE (2005)Redefining the Body Electric: Queering Punk and Hardcore (2010)Pussy Rioting (2014)
this work references cited by second hop

References

  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 2002Authenticity as authentication485 cited
  • 1989The Hidden Musicians: Music-Making in an English Town455 cited
  • 2001Tramps like Us: Music and Meaning among Springsteen Fans189 cited
  • 2003Site and sound : understanding independent music scenes80 cited
  • 2001We owe you nothing : Punk Planet: the collected interviews21 cited

Cited by

  • 2011Independent Producers: A Guide to 21st Century Independent Music Promotion and Distribution4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work