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In this new media paradigm, the production, viewing, funding and distribution of documentary films are changing too. Through four case studies and four articles, this thesis explores different aspects of how these changes impact on documentary content as well as the industries that produce, transmit and distribute documentary film, and asks how we are to understand documentary in a multiplatform context.
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Stored only when both papers are in the corpus — 4 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.