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The Position and Perspectives of Cultural and Creative Industries in Southeastern Europe
15 references·1 citing·37 second hop
The Position and Perspectives of Cultural and Creative Industries in Southeastern Europe (2014)The Position and Perspectives of Cultural…Cultural and Creative Industries (2018)Cultural and Creative Industr…Reflections on the Revolution in Europe (2017)Reflections on the Revolution…The cultural and creative industries : a literature review [2nd ed.] (2010)The cultural and creative ind…Creative Labour: Media Work in Three Cultural Industries (2010)Creative Labour: Media Work i…Imagining the Balkans (2009)Imagining the BalkansThe SAGE Handbook of Cultural Analysis (2008)The SAGE Handbook of Cultural…The New Geography of Work (2008)The New Geography of WorkIn the Social Factory? (2008)In the Social Factory?The position of cultural workers in creative industries: The south-eastern European perspective (2007)The position of cultural work…Nice work if you can get it: the mercurial career of creative industries policy (2007)Nice work if you can get it: …Creative Industries in Transition: Towards a Creative Economy? (2005)Creative Industries in Transi…Creative exports (2005)Creative exportsFree culture: how big media uses technology and the law to lock down culture and control creativity (2004)Free culture: how big media u…Digital Culture (2004)Digital CultureFrom Holloway to Hollywood: Happiness at Work in the New Cultural Economy? (2002)From Holloway to Hollywood: H…Developing Cultural Industries in Central and Eastern European Countries (2018)Developing Cultural Industrie…Keywords: A Vocabulary of Culture and Society (1977)Intellectual capital: The new wealth of organizations (1998)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Hyper-precarious lives (2014)The Psychic Life of Neoliberalism: Mapping the Contours of Entrepreneurial Subjectivity (2015)The neurotic academic: anxiety, casualisation, and governance in the neoliberalising university (2018)Hegemony and Socialist Strategy (1985)Postmodernism, or, The cultural logic of late capitalism (1991)Risk Society, Towards a New Modernity (1994)Redoing feminism: digital activism, body politics, and neoliberalism (2015)The romance of work: Gender and aspirational labour in the digital culture industries (2015)Data Colonialism: Rethinking Big Data’s Relation to the Contemporary Subject (2018)Copyright and a Democratic Civil Society (1996)Information Feudalism: Who Owns the Knowledge Economy? (2003)Co-Creation: Toward a Taxonomy and an Integrated Research Perspective (2010)Connected Learning: An Agenda for Research and Design (2013)The Wealth of Networks (2017)Copyright in Historical Perspective (2020)Creative Industries after the First Decade of Debate (2010)“Creative Diversity”: UK Public Service Broadcasting After Multiculturalism (2013)Cultural and creative entrepreneurs: understanding the role of entrepreneurial identity (2017)Regions and Powers:The Structure of International Security (2003)The Specter of Orientalism in Europe: From Exotic Other to Stigmatized Brother (2006)In Search of the Global East: Thinking between North and South (2018)“Having it All” on Social Media: Entrepreneurial Femininity and Self-Branding Among Fashion Bloggers (2015)Beyond journalism: Theorizing the transformation of journalism (2017)Temporary Architectures of Learning: Knowledge Governance in Project Ecologies (2004)Gender and Creative Labour (2015)Participation, Remediation, Bricolage: Considering Principal Components of a Digital Culture (2006)Impact of Online Consumer Reviews on Sales: The Moderating Role of Product and Consumer Characteristics (2010)The future of human creative knowledge work within the digital economy (2018)Cultural Trauma (2000)Can Institutions Build Unity in Multiethnic States? (2007)The Endurance of National Constitutions (2012)Close but not Deep: Literary Ethics and the Descriptive Turn (2010)The Ontological Turn (2017)From expectancy-value theory to situated expectancy-value theory: A developmental, social cognitive, and sociocultural perspective on motivation (2020)
this work references cited by second hop

References

  • 2008In the Social Factory?1,477 cited
  • 2004Free culture: how big media uses technology and the law to lock down culture and control creativity1,427 cited
  • 2009Imagining the Balkans1,411 cited
  • 2010Creative Labour: Media Work in Three Cultural Industries524 cited
  • 2008The New Geography of Work276 cited
  • 2002From Holloway to Hollywood: Happiness at Work in the New Cultural Economy?271 cited
  • 2017Reflections on the Revolution in Europe204 cited
  • 2004Digital Culture188 cited
  • 2008The SAGE Handbook of Cultural Analysis93 cited
  • 2018Cultural and Creative Industries92 cited
  • 2007Nice work if you can get it: the mercurial career of creative industries policy87 cited
  • 2010The cultural and creative industries : a literature review [2nd ed.]38 cited
  • 2005Creative exports35 cited
  • 2007The position of cultural workers in creative industries: The south-eastern European perspective20 cited
  • 2005Creative Industries in Transition: Towards a Creative Economy?8 cited

Cited by

  • 2018Developing Cultural Industries in Central and Eastern European Countries

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3 cited