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WOMEN AND EVANGELICAL MERCHANDISING IN THE NIGERIAN FILMIC ENTERPRISE
11 references·1 citing·34 second hop
WOMEN AND EVANGELICAL MERCHANDISING IN THE NIGERIAN FILMIC ENTERPRISE (2011)WOMEN AND EVANGELICAL MERCHANDISING IN TH…Contemporary African Literature and the Politics of Gender (2020)Contemporary African Literatu…Nollywood in Lagos, Lagos in Nollywood Films (2007)Nollywood in Lagos, Lagos in …Looking at Ourselves in our Mirror: Agency, Counter-Discourse, and the Nigerian Video Film (2007)Looking at Ourselves in our M…Women, Religion and the Video Film in Nigeria (2004)Women, Religion and the Video…Film International #5 (2003)Film International #5British Horror Cinema (2001)British Horror CinemaMillennial Capitalism: First Thoughts on a Second Coming (2000)Millennial Capitalism: First …EVOLVING POPULAR MEDIA : NIGERIAN VIDEO FILMS (1998)EVOLVING POPULAR MEDIA : NIGE…Feminism, Rebellious Women, and Cultural Boundaries: Rereading Flora Nwapa and Her Compatriots (1995)Feminism, Rebellious Women, a…The Yoruba popular travelling theatre of Nigeria (1984)The Yoruba popular travelling…The Holy Bible (1982)The Holy BiblePortrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus (2021)Portrayal of Women in Contemp…Modernity and Its Malcontents: Ritual and Power in Postcolonial Africa. (1994)The Modernity of Witchcraft: Politics and the Occult in Postcolonial Africa (2000)Media worlds: anthropology on new terrain (2003)Lagos, Koolhaas and Partisan Politics in Nigeria (2010)New Nollywood: A Sketch of Nollywood’s Metropolitan New Style (2015)‘No Condition IS Permanent': Informal Transport Workers and Labour Precarity in Africa's Largest City (2016)Reading the Contemporary: African Art from Theory to Marketplace (2001)A Break with the Past: The Nigerian Video-film Industry in the Context of Colonial Filmmaking (2011)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)How We Became Posthuman (1999)Life of the mind: The interface of psychopharmaceuticals, domestic economies, and social abandonment (2004)Neoliberalism as a mobile technology (2007)The Uses of Neoliberalism (2010)Capital: A Critique of Political Economy (2020)Growing Up with Television: Cultivation Processes (2002)Television Viewers' Ideal Body Proportions: The Case of the Curvaceously Thin Woman (2003)Womanism: The Dynamics of the Contemporary Black Female Novel in English (1985)The colonial harem (1986)Male daughters, female husbands: gender and sex in an African society (1988)Negotiating Tensions: Teaching About Race Issues in Graduate Feminist Classrooms (2002)The land has changed: history, society, and gender in colonial eastern Nigeria (2011)Gendered Institutions and Women’s Political Representation in Africa (2021)A literature review: Nigerian and Ghanaian videos (2010)Signs of Femininity, Symptoms of Malaise: Contextualizing Figurations of “Woman” in Nollywood (2012)Nigerian evangelical film genres: the spectacle of the spiritual (2019)Playing with Identities in Contemporary Music in Africa (2003)Orality, the Media and New Popular Cultures in Africa (2009)Entertaining Africans: Creative Innovation in the (Internet) Television Space (2018)Cultural Differences and Cross-Cultural Similarities in Appraisals and Emotional Responses (1995)Balancing money and mission in a local church budget (2005)Human Rights and the Triumph of the Individual in World Culture (2007)Ecoing the Other(s): The Call of Global Green and Black African Responses (2001)Coming of Age: Chimamanda Ngozi Adichie and the Voice of the Third Generation (2005)(West) African Feminisms and Their Challenges (2016)
this work references cited by second hop

References

  • 2000Millennial Capitalism: First Thoughts on a Second Coming1,703 cited
  • 1982The Holy Bible438 cited
  • 2020Contemporary African Literature and the Politics of Gender241 cited
  • 1998EVOLVING POPULAR MEDIA : NIGERIAN VIDEO FILMS137 cited
  • 2007Nollywood in Lagos, Lagos in Nollywood Films108 cited
  • 1995Feminism, Rebellious Women, and Cultural Boundaries: Rereading Flora Nwapa and Her Compatriots66 cited
  • 1984The Yoruba popular travelling theatre of Nigeria51 cited
  • 2007Looking at Ourselves in our Mirror: Agency, Counter-Discourse, and the Nigerian Video Film29 cited
  • 2004Women, Religion and the Video Film in Nigeria18 cited
  • 2001British Horror Cinema14 cited
  • 2003Film International #513 cited

Cited by

  • 2021Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus17 cited

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