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Seeking "Success" in Popular Music
16 references·6 citing·29 second hop
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References

  • 2016Autoethnography as Method1,160 cited
  • 2012Together: the rituals, pleasures, and politics of cooperation1,147 cited
  • 2002How Popular Musicians Learn: A Way Ahead for Music Education1,021 cited
  • 2011Retromania: Pop Culture's Addiction to Its Own Past662 cited
  • 2012Musical Creativities in Practice507 cited
  • 1996Rhythm and Noise: An Aesthetics of Rock395 cited
  • 2006Swarm Creativity: Competitive Advantage through Collaborative Innovation Networks320 cited
  • 2007Music Education at the Tipping Point297 cited
  • 1998Performing Rites: Evaluating Popular Music287 cited
  • 2008Understanding the Classical Music Profession: The Past, the Present and Strategies for the Future211 cited
  • 2016Song Means: Analysing and Interpreting Recorded Popular Song159 cited
  • 2006Garage rock bands: a future model for developing musical expertise?153 cited
  • 2007Listening to Popular Music131 cited
  • 2010Bridging the gap: Informal learning practices as a pedagogy of integration111 cited
  • 2017Qualitative Research Methodology in Music Education110 cited
  • 2018Rock: The Primary Text

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91 cited

Cited by

  • 2017Dilemmas of purpose in higher popular music education: A critical portrait of an academic field16 cited
  • 2015Creativities, Innovation, and Networks in Garage Punk Rock: A Case Study of the Eruptörs14 cited
  • 2021The Paradox of Democracy in Popular Music Education: Intersectionalizing “Youth” Through Curriculum Analysis10 cited
  • 2016Flash study analysis and the Music Learning Profiles Project10 cited
  • 2022Music Teacher as Music Producer7 cited
  • 2020Learning to develop as a rock band: The contradiction between creativity and entrepreneurship6 cited