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This article deals with the differences in the habitus of rune-singers from the point of view of performance. The performance strategies of rune-singing are examined by paying attention to its bodily expressions and the way in which such movements relate to the performers' aims for self-expression and social recognition.
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Stored only when both papers are in the corpus — 11 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.