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The Shroud of Turin, a linen cloth alleged to be the burial shroud of Christ, has been precisely radiodated to the 14th century. Nevertheless, its status remains controversial. Is the radiodate accurate? Are the blood images seen on the cloth derived from contact of the cloth with a wounded human body? Is it a painting? If not a painting, what is the mechanism of its formation? Some of the latest research attempting to resolve these matters is presented and reviewed.
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Stored only when both papers are in the corpus — 31 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.