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The Musician as Archivist: An Example of Nigeria's Lagbaja
2 references·5 citing·26 second hop
The Musician as Archivist: An Example of Nigeria's Lagbaja (2009)The Musician as Archivist: An Example of …Yabis: A Phenomenon in the Contemporary Nigerian Music (2007)Yabis: A Phenomenon in the Co…Behind the Mask (1985)Behind the MaskA discursive construction of self in selected songs by Azeez Fashola (aka Naira Marley) (2024)A discursive construction of …Binary Structure in Selected Songs of Beautiful Nubia (2023)Binary Structure in Selected …Indigenous Yoruba Popular Music As An Agent For Socio Re-Orientation: An Examination of Saheed Osupa’s Fuji Music (2021)Indigenous Yoruba Popular Mus…‘Are there Marlians in the Buhari government?’ Popular music and personality cult in Nigeria (2021)‘Are there Marlians in the Bu…Language and Identity Representation in Popular Music (2011)Language and Identity Represe…The Shorter Oxford English Dictionary (1937)The Random House dictionary (1980)“Mr. President”: Musical Open Letters as Political Commentary in Africa (2012)When hip-hop meets CMC: digital discourse in Nigerian hip-hop (2020)Modernity at Large: Cultural Dimensions of Globalization. (1998)Bodies That Matter (2011)The Location of Culture (2012)Language, Music, Self-Representation and Claiming the Space: Artists from Limpopo Province in South Africa (2022)INDIGENISED LINGUISTIC CODES AND NIGERIANISM IN SELECTED HIP-HOP SONGS OF ADEKUNLE GOLD AND FOLARIN FALANA (2025)Performing Rites (1996)To See and Be Seen: Celebrity Practice on Twitter (2011)The Journal of Pan African Studies (2014)Popular Arts in Africa (1987)Arrest the music!: Fela and his rebel art and politics (2005)History of Education in Nigeria (2018)Evaluation of the Influence of Music on Modern Culture and Society (2022)When Fuji goes viral: social media, sustainability, and the digital afterlife of Saheed Osupa’s Jòkòó Síbẹ (2025)The Journal of the Royal Anthropological Institute (1907)DICTIONARY OF LITERARY TERMS (1994)Critical Theory Today: A User-Friendly Guide (2014)Modernity and Self-Identity: Self and Society in the Late Modern Age. (1993)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)The Social Construction of Reality (2023)The SARS (Severe Acute Respiratory Syndrome) pandemic in Hong Kong: Effects on the subjective wellbeing of elderly and younger people (2008)Can China’s Growth be Sustained? A Productivity Perspective (2009)Factors Affecting Intention to Receive and Self-Reported Receipt of 2009 Pandemic (H1N1) Vaccine in Hong Kong: A Longitudinal Study (2011)
this work references cited by second hop

References

  • 1985Behind the Mask102 cited
  • 2007Yabis: A Phenomenon in the Contemporary Nigerian Music17 cited

Cited by

  • 2011Language and Identity Representation in Popular Music8 cited
  • 2021‘Are there Marlians in the Buhari government?’ Popular music and personality cult in Nigeria5 cited
  • 2024A discursive construction of self in selected songs by Azeez Fashola (aka Naira Marley)3 cited
  • 2021Indigenous Yoruba Popular Music As An Agent For Socio Re-Orientation: An Examination of Saheed Osupa’s Fuji Music3 cited
  • 2023Binary Structure in Selected Songs of Beautiful Nubia2 cited

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