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Scientific Investigation of the Materials and Techniques Used in a 19th Century Egyptian Cemetery Wall Painting (Hawsh Al-Basha)
8 references·0 citing·31 second hop
Scientific Investigation of the Materials and Techniques Used in a 19th Century Egyptian Cemetery Wall Painting (Hawsh Al-Basha) (2013)Scientific Investigation of the Materials…Chromatic alterations of red lead pigments in artworks: a review (2008)Chromatic alterations of red …Red lead darkening in wall paintings: natural ageing of experimental wall paintings versus artificial ageing tests (2007)Red lead darkening in wall pa…Non-destructive synchrotron X-ray diffraction mapping of a Roman painting (2005)Non-destructive synchrotron X…Islamic Monuments in Cairo: The Practical Guide (2004)Islamic Monuments in Cairo: T…Analysis of pigments from Roman wall paintings found in Vicenza (2003)Analysis of pigments from Rom…Infrared Spectroscopy in Conservation Science (2000)Infrared Spectroscopy in Cons…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…The Materials and Techniques of Painting (1982)The Materials and Techniques …Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)The role of H2S in pigment blackening (2002)Painting Materials: A Short Encyclopedia (2011)Multianalytical approach to explain the darkening process of hematite pigment in paintings from ancient Pompeii after accelerated weathering experiments (2013)Darkening of lead‐ and iron‐based pigments on late Gothic Italian wall paintings: Energy dispersive X‐ray fluorescence, μ‐Raman, and powder X‐ray diffraction analyses for diagnosis: Presence of β‐PbO2 (plattnerite) and α‐PbO2 (scrutinyite) (2020)The combined use of SEM-EDX, Raman, ATR-FTIR and visible reflectance techniques for the characterisation of Roman wall painting pigments from Monte d’Oro area (Rome): an insight into red, yellow and pink shades (2021)Il Libro dell'Arte (1934)Cross-Sections and Chemical Analysis of Paint Samples (1956)Trace elements in natural azurite pigments found in illuminated manuscript leaves investigated by synchrotron x-ray fluorescence and diffraction mapping (2017)Macroscopic X-ray Powder Diffraction Scanning, a New Method for Highly Selective Chemical Imaging of Works of Art: Instrument Optimization (2018)X‐ray Diffraction Mapping for Cultural Heritage Science: a Review of Experimental Configurations and Applications (2019)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Pigment identification in paintings employing laser induced breakdown spectroscopy and Raman microscopy (2001)ATR-FT-IR spectroscopy in the region of 500–230 cm−1 for identification of inorganic red pigments (2009)Degradation of lead-based pigments by salt solutions (2009)Plumbonacrite Identified by X‐ray Powder Diffraction Tomography as a Missing Link during Degradation of Red Lead in a Van Gogh Painting (2015)Comparison of genuine (1851–1852 AD ) and forged or reproduction Hawaiian Missionary stamps using Raman microscopy (2002)The Characterization of Cobalt Violet Pigments (2002)Vibrational spectroscopic study on degradation of alizarin carmine (2016)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Venice and Islam in the Middle Ages: Some Observations on the Question of Architectural Influence (1991)The role of daylight in preserving identities in heritage context (2006)A History of the Ottoman Empire (2017)Analysis of Roman age wall paintings found in Pordenone, Trieste and Montegrotto (2004)Spectroscopic methods for the analysis of celadonite and glauconite in Roman green wall paintings (2011)Studying pigments on painted plaster in Minoan, Roman and Early Byzantine Crete. A multi-analytical technique approach (2011)Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1 (2016)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)
this work references cited by second hop

References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2000Infrared Spectroscopy in Conservation Science690 cited
  • 2003Analysis of pigments from Roman wall paintings found in Vicenza121 cited
  • 2008Chromatic alterations of red lead pigments in artworks: a review105 cited
  • 2005Non-destructive synchrotron X-ray diffraction mapping of a Roman painting63 cited
  • 2007Red lead darkening in wall paintings: natural ageing of experimental wall paintings versus artificial ageing tests49 cited
  • 1982The Materials and Techniques of Painting45 cited
  • 2004Islamic Monuments in Cairo: The Practical Guide41 cited

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