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Recording industries, technologies and cultures in flux
7 references·0 citing·24 second hop
Recording industries, technologies and cultures in flux (2015)Recording industries, technologies and cu…There Is No Music Industry (2014)There Is No Music IndustryWired Shut (2007)Wired ShutRethinking the music industry (2007)Rethinking the music industryHow a Film Theory Got Lost and Other Mysteries in Cultural Studies (2001)How a Film Theory Got Lost an…Musicking: The Meanings of Performing and Listening (2000)Musicking: The Meanings of Pe…Musicking: the meanings of performing and listening (1999)Musicking: the meanings of pe…Listening In: Radio and the American Imagination (1999)Listening In: Radio and the A…Tools for Conviviality (1973)Close reading big data: The Echo Nest and the production of (rotten) music metadata (2016)Rising tides? Data capture, platform accumulation, and new monopolies in the digital music economy (2018)Revenue, access, and engagement via the in-house curated Spotify playlist in Australia (2019)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Keywords: A Vocabulary of Culture and Society (1977)Infant Intersubjectivity: Research, Theory, and Clinical Applications (2001)The role of music in adolescents' mood regulation (2006)Music as emotional self-regulation throughout adulthood (2010)The Interpretation of Cultures (2017)The Cambridge Companion to Pop and Rock (2001)The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)Why go to pop concerts? The motivations behind live music attendance (2016)What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)Electronic scholarly publishing and open access (2008)The end of the net as we know it? Deep packet inspection and internet governance (2011)Digital Subscriptions: The Unending Consumption of Music in the Digital Era (2017)Music and the materialization of identities (2011)Mallarmé's Cinepoetics: The Poem Uncoiled by the Cinématographe, 1893–98 (2005)100+ Years of Adaptations, or, Adaptation as the Art Form of Democracy (2012)Digital Humanities Pedagogy: Practices, Principles and Politics (2012)Reducing intergroup prejudice and conflict using the media: A field experiment in Rwanda. (2009)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Control, curation and musical experience in streaming music services (2015)
this work references cited by second hop

References

  • 1999Musicking: the meanings of performing and listening1,526 cited
  • 2000Musicking: The Meanings of Performing and Listening1,330 cited
  • 1999Listening In: Radio and the American Imagination508 cited
  • 2007Wired Shut263 cited
  • 2007Rethinking the music industry261 cited
  • 2001How a Film Theory Got Lost and Other Mysteries in Cultural Studies70 cited
  • 2014There Is No Music Industry37 cited

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