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Films on Ice
16 references·4 citing·38 second hop
Films on Ice (2015)Films on IceEcocinema Theory and Practice 2 (2022)Ecocinema Theory and Practice…The cinematic footprint: lights, camera, natural resources (2012)The cinematic footprint: ligh…The Art Cinema as a Mode of Film Practice (2012)The Art Cinema as a Mode of F…Unsettling sights: the Fourth World on film (2011)Unsettling sights: the Fourth…Framing the world: explorations in ecocriticism and film (2011)Framing the world: exploratio…The new media nation: indigenous peoples and global communication (2010)The new media nation: indigen…Global art cinema: new theories and histories (2010)Global art cinema: new theori…Environmental Histories of the Cold War (2010)Environmental Histories of th…World Cinemas, Transnational Perspectives (2009)World Cinemas, Transnational …Arctic spectacles: the frozen North in visual culture, 1818-1875 (2008)Arctic spectacles: the frozen…Transnational cinema : the film reader (2006)Transnational cinema : the fi…Media Ecologies: Materialist Energies in Art and Technoculture (2005)Media Ecologies: Materialist …The idea of north (2004)The idea of northNarrating the Arctic: A Cultural History of Nordic Scientific Practices. Edited by Michael Bravo and Sverker Sörlin. Canton, Mass.: Science History Publications, 2002. ix + 373 pp. Illustrations, notes, index. $39.95 (2003)Narrating the Arctic: A Cultu…Freeze Frame: Alaska Eskimos in the Movies (1997)Freeze Frame: Alaska Eskimos …Relocating Eden: The Images and Politics of Inuit Exile in the Canadian Arctic (1995)Relocating Eden: The Images a…Landscape, Geopolitics, and National Identity in the Norwegian Thrillers Occupied and Nobel (2020)Landscape, Geopolitics, and N…Scientific Visions: Resource Extraction and the Colonial Impulse in Canadian Popular Science Films (2019)Scientific Visions: Resource …Moving Mountains: Glacial Contingency and Modernity in the Bergfilm (2019)Moving Mountains: Glacial Con…Shrouded History: The Canadian Film and Photo Unit, Records Creation, Reuse, and the Recontextualizing of "Lost" Audiovisual Heritage (2017)Shrouded History: The Canadia…We have never been modern (1994)Oxford English dictionary (2004)The Work of Art in the Age of Mechanical Reproduction (2007)Shakespeare and World Cinema (2012)Listening to films: Politics of the auditory in 1970s China (2013)The politics of text and context : Kurdish films in Turkey in a period of political transformation (2015)Understanding Media: The Extensions of Man (1964)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Decolonization is not a metaphor (2012)Pastoral, Anti-Pastoral, and Post-Pastoral (2013)Researching Visual Environmental Communication (2013)Cli‐fi on the screen(s): patterns in the representations of climate change in fictional films (2015)Film Art: An Introduction (1979)An evening's entertainment: the age of the silent feature picture, 1915-1928 (1991)The human motor: energy, fatigue, and the origins of modernity (1991)Electric elephants and the lively/lethal energies of wildlife documentary film (2014)Conjectures on world energy literature: Or, what is petroculture? (2017)The Elements of Media Studies (2019)Outlaws and citizens: indigenous people and the New Media Nation (2009)Putting the citizen back into journalism (2012)Indigenous voices and mediatized policy-making in the digital age (2015)Wastrels of Time: Slow Cinema’s Laboring Body, the Political Spectator, and the Queer (2012)Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam (2014)The Cinematographic Unconscious of Slum Voyeurism (2017)Introduction: Modern Airs, Waters, and Places (2012)Activist Engineering: Changing Engineering Practice By Deploying Praxis (2014)Proving Grounds: Ecological Fieldwork in the Pacific and the Materialization of Ecosystems (2018)Political matter : technoscience, democracy, and public life (2010)The Quadruple Object (2011)The new mobilities paradigm for a live sociology (2014)Between Manufacturing and Landscapes: Edward Burtynsky and the Photography of Ecology (2013)Why Study Religion? (2021)Discourse and Language Education (2023)Film Festivals : From European Geopolitics to Global Cinephilia (2007)Film Festivals: Culture, People, and Power on the Global Screen (2011)Art films foster theory of mind (2021)The Cultural Politics of Lesbian Asylum (2010)Transnational audiences: geocultural approaches (2013)
this work references cited by second hop

References

  • 2005Media Ecologies: Materialist Energies in Art and Technoculture536 cited
  • 2009World Cinemas, Transnational Perspectives351 cited
  • 2006Transnational cinema : the film reader296 cited
  • 2022Ecocinema Theory and Practice 2276 cited
  • 2010Environmental Histories of the Cold War160 cited
  • 2010Global art cinema: new theories and histories140 cited
  • 2012The cinematic footprint: lights, camera, natural resources125 cited
  • 2012The Art Cinema as a Mode of Film Practice123 cited
  • 2011Framing the world: explorations in ecocriticism and film92 cited
  • 2010The new media nation: indigenous peoples and global communication89 cited
  • 2004The idea of north73 cited
  • 2003Narrating the Arctic: A Cultural History of Nordic Scientific Practices. Edited by Michael Bravo and Sverker Sörlin. Canton, Mass.: Science History Publications, 2002. ix + 373 pp. Illustrations, notes, index. $39.9561 cited
  • 2008Arctic spectacles: the frozen North in visual culture, 1818-187555 cited
  • 1997Freeze Frame: Alaska Eskimos in the Movies45 cited
  • 1995Relocating Eden: The Images and Politics of Inuit Exile in the Canadian Arctic42 cited

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2011
Unsettling sights: the Fourth World on film
36 cited

Cited by

  • 2020Landscape, Geopolitics, and National Identity in the Norwegian Thrillers Occupied and Nobel8 cited
  • 2019Scientific Visions: Resource Extraction and the Colonial Impulse in Canadian Popular Science Films6 cited
  • 2019Moving Mountains: Glacial Contingency and Modernity in the Bergfilm6 cited
  • 2017Shrouded History: The Canadian Film and Photo Unit, Records Creation, Reuse, and the Recontextualizing of "Lost" Audiovisual Heritage2 cited