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The Fabric Support in Portable Icons: Deterioration, Documentation & Conservation
9 references·0 citing·26 second hop
The Fabric Support in Portable Icons: Deterioration, Documentation & Conservation (2006)The Fabric Support in Portable Icons: Det…Chemical Principles of Textile Conservation (2000)Chemical Principles of Textil…Solvent reactivation of hydroxypropyl cellulose (Klucel G ® ) in textile conservation: Recent developments (1997)Solvent reactivation of hydro…The Glass Transition of Materials Used in Conservation (1989)The Glass Transition of Mater…The Conservation of a Group of Painted Mummy Cloths from Roman Egypt (1984)The Conservation of a Group o…Polymer dispersions artificially aged (1984)Polymer dispersions artificia…FURTHER USES OF BEVA 371 IN THE TREATMENT OF PAINTED SILK PANELS (1979)FURTHER USES OF BEVA 371 IN T…THE CONSERVATION OF TWO EIGHTEENTH-CENTURY ENGLISH COURT MANTUAS (1978)THE CONSERVATION OF TWO EIGHT…THE CONSERVATION OF A TLINGIT BLANKET (1968)THE CONSERVATION OF A TLINGIT…The Restoration and Preservation of Old Fabrics (1956)The Restoration and Preservat…The Cleaning and Mounting of a Large Wool Tapestry (1955)Evaluation of cellulose ethers for conservation (1990)Les solvants organiques neutres épaissis pour le nettoyage d’une couche picturale (2012)Transglutaminase-mediated restoration of historic silk and its ageing resistance (2013)Are cellulose ethers safe for the conservation of artwork? New insights in their VOC activity by means of Oddy testing (2022)On Picture Varnishes and Their Solvents (1972)Preservation of Paper and Textiles of Historic and Artistic Value (1978)Quantitative Study: The Effects of Sized Materials and “Drying Time” in the Use of Lascaux 360 Hv as a Lining Adhesive (1987)A Study of Acrylic Dispersions Used in the Treatment of Paintings (1989)The Chemistry of Paints and Painting (1915)TESTING ADHESIVES FOR THE CONSOLIDATION OF PAINTINGS (1972)Conservation and Restoration of Pictorial Art (1978)The conservation of two Japanese lanterns: Problems and compromise (1991)NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)National Gallery Technical Bulletin (1979)THE CONSERVATION OF A ROMAN EGYPTIAN PAINTED SHROUD FRAGMENT (1992)The examination and conservation of two Indian textiles (1993)ROMANO‐EGYPTIAN RED LEAD PIGMENT: A SUBSIDIARY COMMODITY OF SPANISH SILVER MINING AND REFINEMENT* (2008)A procedure for identifying textile bast fibres using microscopy: Flax, nettle/ramie, hemp and jute (2010)Degradation markers of fibroin in silk through infrared spectroscopy (2014)The application of FTIR microspectroscopy in a non-invasive and non-destructive way to the study and conservation of mineralised excavated textiles (2019)THE CONSERVATION OF A PRESERVED HUMAN HEAD (1974)Investigation of Paint Media by Differential Scanning Calorimetry (DSC) (1992)Size-exclusion chromatography and differential scanning calorimetry of low molecular weight resins used as varnishes for paintings (2004)Automated characterization of varnishes photo-degradation using portable T-controlled Raman spectroscopy (2016)Restauração e conservação: algumas questões para os conservadores. A perspectiva da conservação de têxteis (1994)
this work references cited by second hop

References

  • 2000Chemical Principles of Textile Conservation248 cited
  • 1989The Glass Transition of Materials Used in Conservation36 cited
  • 1984Polymer dispersions artificially aged28 cited
  • 1997Solvent reactivation of hydroxypropyl cellulose (Klucel G ® ) in textile conservation: Recent developments17 cited
  • 1984The Conservation of a Group of Painted Mummy Cloths from Roman Egypt15 cited
  • 1978THE CONSERVATION OF TWO EIGHTEENTH-CENTURY ENGLISH COURT MANTUAS6 cited
  • 1968THE CONSERVATION OF A TLINGIT BLANKET6 cited
  • 1956The Restoration and Preservation of Old Fabrics4 cited
  • 1979FURTHER USES OF BEVA 371 IN THE TREATMENT OF PAINTED SILK PANELS4 cited

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