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A multi-analytical non-invasive approach to violin materials: The case of Antonio Stradivari “Hellier” (1679)
10 references·16 citing·46 second hop
A multi-analytical non-invasive approach to violin materials: The case of Antonio Stradivari “Hellier” (1679) (2015)A multi-analytical non-invasive approach …Interpretation of mid and near-infrared reflection properties of synthetic polymer paints for the non-invasive assessment of binding media in twentieth-century pictorial artworks (2015)Interpretation of mid and nea…Non-invasive identification of metal-oxalate complexes on polychrome artwork surfaces by reflection mid-infrared spectroscopy (2013)Non-invasive identification o…Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Reflection infrared spectrosc…On the Use of Overtone and Combination Bands for the Analysis of the CaSO4—H2O System by Mid-Infrared Reflection Spectroscopy (2010)On the Use of Overtone and Co…The Nature of the Extraordinary Finish of Stradivari’s Instruments (2009)The Nature of the Extraordina…Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach (2009)Non-invasive identification o…FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings (2009)FT-NIR spectroscopy for non-i…Review on the characterisation of ancient stringed musical instruments varnishes and implementation of an analytical strategy (2008)Review on the characterisatio…Characterization of iron‐gall inks in historical manuscripts and music compositions using x‐ray fluorescence spectrometry (2004)Characterization of iron‐gall…Further results from PIXE analysis of inks in Galileo's notes on motion (1996)Further results from PIXE ana…Correlation between surface roughness and spectral features in IR-reflection spectroscopy (2021)Correlation between surface r…Surface and Interface Treatments on Wooden Artefacts: Potentialities and Limits of a Non-Invasive Multi-Technique Study (2020)Surface and Interface Treatme…Reflection FTIR spectroscopy for the 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bowed string instruments: Issues and perspectives (2018)Synchrotron radiation micro-c…Capabilities and limitations of handheld Diffuse Reflectance Infrared Fourier Transform Spectroscopy (DRIFTS) for the analysis of colourants and binders in 20th-century reverse paintings on glass (2018)Capabilities and limitations …Approaches for Detecting Madder Lake in Multi-Layered Coating Systems of Historical Bowed String Instruments (2018)Approaches for Detecting Madd…A non-invasive stratigraphic study by reflection FT-IR spectroscopy and UV-induced fluorescence technique: The case of historical violins (2018)A non-invasive stratigraphic …The elemental composition of Stradivari's musical instruments: new results through non‐invasive EDXRF analysis (2017)The elemental composition of …Spectroscopic Analysis to Characterize Finishing Treatments of Ancient Bowed String Instruments (2017)Spectroscopic Analysis to Cha…Elemental analysis as statistical preliminary study of historical musical instruments (2017)Elemental analysis as statist…Automatic Analysis of UV-Induced Fluorescence Imagery of Historical Violins (2017)Automatic Analysis of UV-Indu…Analysis of modern paints (2004)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience (2016)Recent trends in the application of Fourier Transform Infrared (FT-IR) spectroscopy in Heritage Science: from micro- to non-invasive FT-IR (2019)External reflectance FTIR dataset (4000–400 cm−1) for the identification of relevant mineralogical phases forming Cultural Heritage materials (2020)Modern analytical methods in art and archaeology (2000)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Cultural heritage and archaeology materials studied by synchrotron spectroscopy and imaging (2011)Mapping of egg yolk and 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Florence external-PIXE facility (1996)PIXE elemental mapping on original manuscripts with an external microbeam. Application to manuscripts damaged by iron-gall ink corrosion (2001)The beautiful “Trionfo d’Amore” attributed to Botticelli: a chemical characterisation by proton-induced X-ray emission and micro-Raman spectroscopy (2001)Study of Gustave Moreau's black drawings: identification of the graphic materials by Raman microspectrometry and PIXE (2004)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Clay and iron oxide pigments in the history of painting (2003)Pigment Compendium (2008)Analytical chemistry in the field of cultural heritage (2015)Mid and Near-Infrared Reflection Spectral Database of Natural Organic Materials in the Cultural Heritage Field (2018)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)Conservation Issues of Modern Oil Paintings: A Molecular Model on Paint Curing (2019)
this work references cited by second hop

References

  • 2011Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments277 cited
  • 2009FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings148 cited
  • 2004Characterization of iron‐gall inks in historical manuscripts and music compositions using x‐ray fluorescence spectrometry127 cited
  • 2009The Nature of the Extraordinary Finish of Stradivari’s Instruments109 cited
  • 2013Non-invasive identification of metal-oxalate complexes on polychrome artwork surfaces by reflection mid-infrared spectroscopy107 cited
  • 2015Interpretation of mid and near-infrared reflection properties of synthetic polymer paints for the non-invasive assessment of binding media in twentieth-century pictorial artworks85 cited
  • 2009Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach84 cited
  • 2010On the Use of Overtone and Combination Bands for the Analysis of the CaSO4—H2O System by Mid-Infrared Reflection Spectroscopy82 cited
  • 2008Review on the characterisation of ancient stringed musical instruments varnishes and implementation of an analytical strategy80 cited
  • 1996Further results from PIXE analysis of inks in Galileo's notes on motion67 cited

Cited by

  • 2020Effect of heat treatment on Pinus pinaster rosin: A study of physico chemical changes and influence on the quality of rosin linseed oil varnish44 cited
  • 2020Non-invasive mobile technology to study the stratigraphy of ancient Cremonese violins: OCT, NMR-MOUSE, XRF and reflection FT-IR spectroscopy

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41 cited
  • 2018A non-invasive stratigraphic study by reflection FT-IR spectroscopy and UV-induced fluorescence technique: The case of historical violins37 cited
  • 2018The case of Antonio Stradivari 1718 ex-San Lorenzo violin: History, restorations and conservation perspectives34 cited
  • 2017Spectroscopic Analysis to Characterize Finishing Treatments of Ancient Bowed String Instruments31 cited
  • 2020Surface and Interface Treatments on Wooden Artefacts: Potentialities and Limits of a Non-Invasive Multi-Technique Study28 cited
  • 2020Investigating counterfeiting of an artwork by XRF, SEM-EDS, FTIR and synchrotron radiation induced MA-XRF at LNLS-BRAZIL27 cited
  • 2018Approaches for Detecting Madder Lake in Multi-Layered Coating Systems of Historical Bowed String Instruments24 cited
  • 2018Capabilities and limitations of handheld Diffuse Reflectance Infrared Fourier Transform Spectroscopy (DRIFTS) for the analysis of colourants and binders in 20th-century reverse paintings on glass23 cited
  • 2017Automatic Analysis of UV-Induced Fluorescence Imagery of Historical Violins22 cited
  • 2018Synchrotron radiation micro-computed tomography for the investigation of finishing treatments in historical bowed string instruments: Issues and perspectives22 cited
  • 2020Reflection FTIR spectroscopy for the study of historical bowed string instruments: Invasive and non-invasive approaches21 cited
  • 2017The elemental composition of Stradivari's musical instruments: new results through non‐invasive EDXRF analysis21 cited
  • 2017Elemental analysis as statistical preliminary study of historical musical instruments20 cited
  • 2020Comparison of historical violins by non-destructive MRI depth profiling18 cited
  • 2021Correlation between surface roughness and spectral features in IR-reflection spectroscopy18 cited