Waiting Subjects: Social Media–Inspired Self‐Portraits as Gallery Exhibition in D elhi, I ndia

Abstract

In this article, I reflect on a gallery exhibition of self‐portraits by youngSomali refugees. These images were selected from a collection of digital photographs that were shot while producing a collaborative ethnographic film project on the racialization ofAfrican nationals inDelhi,India. The images that my youthful interlocutors produced while shooting for our collaborative film project, however, were not originally intended for display but were an extension of their already prolific visual and textual self‐documentation on social media. Utilizing select images and texts from the exhibition we culled from this “accidental” photographic archive to evoke what it means for these youngSomalis to wait for asylum inEurope orNorthAmerica while they make their lives inIndia, I argue for an attention to the digital image‐making practices of young people as a site where subjectivities are self‐fashioned and ethnographic insights emerge.

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