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The creative evolution and crystallisation of the ‘bastard line’: drifting from the Rive Gauche intoSuzhou River
16 references·1 citing·29 second hop
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References

  • 1986Narration in the Fiction Film1,483 cited
  • 1984Nietzsche and Philosophy1,342 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 1997Hong Kong: culture and politics of disappearance792 cited
  • 1994Film History: An Introduction558 cited
  • 1997Gilles Deleuze’s Time Machine406 cited
  • 2013The neuro-image: a Deleuzian film-philosophy of digital screen culture151 cited
  • 2000Gilles Deleuze's Time Machine148 cited
  • 2007From underground to independent: alternative film culture in contemporary China118 cited
  • 2011Deleuze and World Cinemas107 cited
  • 2004Search, Swim and See: Deleuze's apprenticeship in signs and pedagogy of images87 cited
  • 2012The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture84 cited
  • 2007Sinascape: contemporary Chinese cinema74 cited
  • 2006Deleuze, Cinema and National Identity67 cited
  • 2010Lost in Translation40 cited
  • 2010Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier37 cited

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  • 2023Reimagining Affection in a Changing Shanghai1 cited