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Scientific studies for the restoration of a wood painting of the Galleria Interdisciplinare Regionale della Sicilia—Palazzo Mirto di Palermo
11 references·2 citing·41 second hop
Scientific studies for the restoration of a wood painting of the Galleria Interdisciplinare Regionale della Sicilia—Palazzo Mirto di Palermo (2015)Scientific studies for the restoration of…An analytical investigation of the painting technique of Italian Renaissance master Lorenzo Lotto (2011)An analytical investigation o…X-ray absorption investigations of copper resinate blackening in a XV century Italian painting (2008)X-ray absorption investigatio…San Francesco d'Assisi (Apulia, South Italy): Study of a manipulated 13th century panel painting by complementary diagnostic techniques (2008)San Francesco d'Assisi (Apuli…Spectroscopic investigation of a ‘Virgin of Sorrows’ canvas painting: A multi-method approach (2005)Spectroscopic investigation o…La Medusa by Caravaggio: characterisation of the painting technique and evaluation of the state of conservation (2005)La Medusa by Caravaggio: char…Earth pigments in painting: characterisation and differentiation by means of FTIR spectroscopy and SEM-EDS microanalysis (2005)Earth pigments in painting: c…Infrared Spectroscopy in Conservation Science (2000)Infrared Spectroscopy in Cons…The structural conservation of panel paintings : proceedings of a symposium at the J. Paul Getty Museum, 24-28 April 1995 (1998)The structural conservation o…Il libro dell'arte : o, Trattato della pittura (1987)Il libro dell'arte : o, Tratt…APPLICATION OF INFRARED FOURIER TRANSFORM SPECTROSCOPY TO PROBLEMS IN CONSERVATION (1977)APPLICATION OF INFRARED FOURI…Detection and Identification of Waxes, Including Punic Wax, by Infra-red Spectrography (1960)Detection and Identification …Unraveling the origin of aged varnishes for the proper restoration of old paintings using spectroscopic and spectrometric techniques (2021)Unraveling the origin of aged…Investigation of painting technique of Coptic icon by integrated analytical methods: imaging, spectroscopic and chemometric methods (2019)Investigation of painting tec…VERDIGRIS AND COPPER RESINATE (1970)FTIR in the service of art conservation (1983)Examples of analysis of pigments from fine art objects by Raman microscopy (1994)Forensic identification of elephant and giraffe hair artifacts using HATR FTIR spectroscopy and discriminant analysis (2008)The Organic Chemistry of Museum Objects (1988)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Micro‐Raman and particle‐induced X‐ray emission spectroscopy for the study of pigments and degradation products present in 17th century coloured maps (2008)Analysis of paintings from the nineteenth century Brazilian painter Rodolfo Amoedo using EDXRF portable system (2009)Painting Materials: A Short Encyclopedia (2011)OPLS multivariate regression of FTIR-ATR spectra of acrylic paints for age estimation in contemporary artworks (2019)The Organic Chemistry of Museum Objects (1987)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Lorenzo Lotto's painting materials: an integrated diagnostic approach (2016)Quantitative GC–MS Analysis of Artificially Aged Paints with Variable Pigment and Linseed Oil Ratios (2021)Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analytical study of polychromy on exterior sculpted stone (2009)Raman spectroscopy analysis of pigments on Diego Velázquez paintings (2013)Identification of green pigments and binders in late medieval painted wings from Norwegian churches (2020)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Clay and iron oxide pigments in the history of painting (2003)ATR-FT-IR spectroscopy in the region of 550–230 cm−1 for identification of inorganic pigments (2009)Fat Residue and Use-Wear Found on Acheulian Biface and Scraper Associated with Butchered Elephant Remains at the Site of Revadim, Israel (2015)Recent advances and applications to cultural heritage using ATR-FTIR spectroscopy and ATR-FTIR spectroscopic imaging (2022)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Pigment Compendium: A Dictionary of Historical Pigments (2007)Identification of Different Copper Green Pigments in Renaissance Paintings by Cluster-TOF-SIMS Imaging Analysis (2011)Identification of animal glue and hen-egg yolk in paintings by use of enzyme-linked immunosorbent assay (ELISA) (2013)Full spectral XANES imaging using the Maia detector array as a new tool for the study of the alteration process of chrome yellow pigments in paintings by Vincent van Gogh (2014)Protein Determination in Polychromed Stone Sculptures, Stuccoes and Gesso Grounds (1994)Identification and differentiation of dragon's blood in works of art using gas chromatography/mass spectrometry (2010)Composition and Technology of the 17th Century Stucco Decorations at Červená Lhota Castle in Southern Bohemia (2020)CONTRIBUTION À L’ ANALYSE DES LIANTS, ADHÉSIFS ET VERNIS ANCIENS (1968)Fluorescence Lifetime Imaging and Fourier Transform Infrared Spectroscopy of Michelangelo's David (2005)Ancient encaustic: An experimental exploration of technology, ageing behaviour and approaches to analytical investigation (2018)Safe display parameters for veneer and marquetry objects: A review of the available information for wooden collections (2013)Ageing of resin from Pinus species assessed by infrared spectroscopy (2016)A method to assess the hygro-mechanical behaviour of original panel paintings, through in situ non-invasive continuous monitoring, to improve their conservation: a long-term study on the Mona Lisa (2022)Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1 (2016)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)
this work references cited by second hop

References

  • 2000Infrared Spectroscopy in Conservation Science690 cited
  • 2005Earth pigments in painting: characterisation and differentiation by means of FTIR spectroscopy and SEM-EDS microanalysis177 cited
  • 1987Il libro dell'arte : o, Trattato della pittura77 cited
  • 2008X-ray absorption investigations of copper resinate blackening in a XV century Italian painting50 cited
  • 1960Detection and Identification of Waxes, Including Punic Wax, by Infra-red Spectrography47 cited
  • 1977APPLICATION OF INFRARED FOURIER TRANSFORM SPECTROSCOPY TO PROBLEMS IN CONSERVATION42 cited
  • 2005Spectroscopic investigation of a ‘Virgin of Sorrows’ canvas painting: A multi-method approach39 cited
  • 2011An analytical investigation of the painting technique of Italian Renaissance master Lorenzo Lotto33 cited
  • 1998The structural conservation of panel paintings : proceedings of a symposium at the J. Paul Getty Museum, 24-28 April 199530 cited
  • 2005La Medusa by Caravaggio: characterisation of the painting technique and evaluation of the state of conservation26 cited
  • 2008San Francesco d'Assisi (Apulia, South Italy): Study of a manipulated 13th century panel painting by complementary diagnostic techniques18 cited

Cited by

  • 2021Unraveling the origin of aged varnishes for the proper restoration of old paintings using spectroscopic and spectrometric techniques14 cited
  • 2019Investigation of painting technique of Coptic icon by integrated analytical methods: imaging, spectroscopic and chemometric methods

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11 cited