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Celebrity Knitting and the Temporality of Postmodernity
5 references·14 citing·41 second hop
Celebrity Knitting and the Temporality of Postmodernity (2004)Celebrity Knitting and the Temporality of…The Time Bind: When Work Becomes Home and Home Becomes Work (2018)The Time Bind: When Work Beco…Timespace: Geographies of Temporality (2001)Timespace: Geographies of Tem…Risk Society, Towards a New Modernity (1994)Risk Society, Towards a New M…The Idea of a Home: A Kind of Space (1991)The Idea of a Home: A Kind of…The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)The Condition of Postmodernit…Reasons for knitting blogging and its importance for crafting (2021)Reasons for knitting blogging…Make/share: Textile making alone together in private and social media spaces (2020)Make/share: Textile making al…Close knit: using consumption communities to overcome loneliness (2020)Close knit: using consumption…Knitting Two Together (K2tog), “If You Meet Another Knitter You Always Have a Friend” (2019)Knitting Two Together (K2tog)…“Grandma never knit like this”: reclaiming older women’s knitting practices from discourses of new craft in Britain (2019)“Grandma never knit like this…Passion on the plate: A critical reflection on career change and personal cheffing (2017)Passion on the plate: A criti…Multiple faces of contemporary hand knitting (2017)Multiple faces of contemporar…The dress issue: introduction (2016)The dress issue: introductionFeeling lonely, feeling connected: Amateur knit and crochet makers online (2016)Feeling lonely, feeling conne…Yarn Design Characteristics which Influence Crafters to Consume Either Artisan Brand Yarns or Commercial Yarns (2015)Yarn Design Characteristics w…Knit, purl and upload: new technologies, digital mediations and the experience of leisure (2012)Knit, purl and upload: new te…Knitting Practice in Korea: A Geography of Everyday Experiences (2011)Knitting Practice in Korea: A…‘Erotic Needlework’: Vernacular Designs on the 21st Century Market (2011)‘Erotic Needlework’: Vernacul…The economies within an online social network market : A case study of Ravelry (2009)The economies within an onlin…Free Labor (2000)Social network markets: a new definition of the creative industries (2008)Creating communities: the use of technology in craft and DIY communities of practice (2014)The Wealth of Networks (2017)‘Crafting a way forward’: online participation, craftivism and civic engagement in Ravelry’s Pussyhat Project group (2019)Patterns and Programs: Replication and Creativity in the Place-Based Knitting of Shetland and Ireland (2022)Virtual Ethnography (2000)The ‘digital natives’ debate: A critical review of the evidence (2008)Production, Consumption, Prosumption (2010)Introduction to the Special Issue: Toward “Digital Leisure Studies” (2018)Mapping creative territories with actors, partnerships, innovations, and regulatory mechanisms based on literature review (2024)Stress, social support, and the buffering hypothesis. 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this work references cited by second hop

References

  • 1994Risk Society, Towards a New Modernity12,551 cited
  • 1991The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change4,953 cited
  • 2018The Time Bind: When Work Becomes Home and Home Becomes Work2,083 cited
  • 2001Timespace: Geographies of Temporality700 cited
  • 1991The Idea of a Home: A Kind of Space454 cited

Cited by

  • 2012Knit, purl and upload: new technologies, digital mediations and the experience of leisure70 cited
  • 2020Close knit: using consumption communities to overcome loneliness25 cited
  • 2009The economies within an online social network market : A case study of Ravelry21 cited
  • 2016Feeling lonely, feeling connected: Amateur knit and crochet makers online20 cited
  • 2019“Grandma never knit like this”: reclaiming older women’s knitting practices from discourses of new craft in Britain15 cited
  • 2019Knitting Two Together (K2tog), “If You Meet Another Knitter You Always Have a Friend”13 cited
  • 2011Knitting Practice in Korea: A Geography of Everyday Experiences10 cited
  • 2020Make/share: Textile making alone together in private and social media spaces9 cited
  • 2016The dress issue: introduction9 cited
  • 2017

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Passion on the plate: A critical reflection on career change and personal cheffing
7 cited
  • 2021Reasons for knitting blogging and its importance for crafting6 cited
  • 2017Multiple faces of contemporary hand knitting5 cited
  • 2015Yarn Design Characteristics which Influence Crafters to Consume Either Artisan Brand Yarns or Commercial Yarns4 cited
  • 2011‘Erotic Needlework’: Vernacular Designs on the 21st Century Market3 cited