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Fourier filtering ultraviolet laser ablation SERS for the analysis of yellow lakes
16 references·3 citing·26 second hop
Fourier filtering ultraviolet laser ablation SERS for the analysis of yellow lakes (2015)Fourier filtering ultraviolet laser ablat…Surface‐enhanced Raman spectroscopy in art and archaeology (2015)Surface‐enhanced Raman spectr…A systematic analysis of red lake pigments in French Impressionist and Post‐Impressionist paintings by surface‐enhanced Raman spectroscopy (SERS) (2014)A systematic analysis of red …Surface-enhanced Raman spectroscopy studies of yellow organic dyestuffs and lake pigments in oil paint (2013)Surface-enhanced Raman spectr…Sample Treatment Considerations in the Analysis of Organic Colorants by Surface-Enhanced Raman Scattering (2012)Sample Treatment Consideratio…Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4 (2011)Historical organic dyes: a su…A detachable SERS active cellulose film: a minimally invasive approach to the study of painting lakes (2011)A detachable SERS active cell…Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Identification of Organic Col…Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)Microanalysis of organic pigm…In situ detection of flavonoids in weld‐dyed wool and silk textiles by surface‐enhanced Raman scattering (2008)In situ detection of flavonoi…The Colourful Past: Origins, Chemistry and Identification of Natural Dyestuffs (2007)The Colourful Past: Origins, …Identification and Characterization of Artists' Red Dyes and Their Mixtures by Surface-Enhanced Raman Spectroscopy (2007)Identification and Characteri…Direct identification of alizarin and lac dye on painting fragments using surface-enhanced Raman scattering (2006)Direct identification of aliz…An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs (2006)An innovative surface‐enhance…Application of surface-enhanced Raman scattering (SERS) for the identification of anthraquinone dyes used in works of art (2005)Application of surface-enhanc…The natural constituents of historical textile dyes (2004)The natural constituents of h…Dye Analysis of Pre-Columbian Peruvian Textiles With High-Performance Liquid Chromatography and Diode-Array Detection (1992)Dye Analysis of Pre-Columbian…Uncovering Art’s Vanishing Hues with Surface-Enhanced Raman Scattering: Drawing Inspiration from the Past for the Future (2024)Uncovering Art’s Vanishing Hu…In situ detection of natural dyes in archaeological textiles by SERS substrates immobilized on the fiber (2023)In situ detection of natural …Raman and surface‐enhanced Raman spectroscopy for the analysis of Mexican yellow dyestuff (2019)Raman and surface‐enhanced Ra…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Investigating Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) by high performance liquid chromatography tandem mass spectrometry – Towards the creation of a mass spectra database (2018)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns (1989)An Improved Dye and Lake Pigment Analysis Method for High-Performance Liquid Chromatography and Diode-Array Detector (1996)Identification of indigoid dyes in natural organic pigments used in historical art objects by high‐performance liquid chromatography coupled to electrospray ionization mass spectrometry (2004)Identification of anthraquinone markers for distinguishing Rubia species in madder-dyed textiles by HPLC (2012)Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)Pigment Compendium: A Dictionary of Historical Pigments (2007)Raman microscopy in archaeological science (2004)Extractionless non‐hydrolysis surface‐enhanced Raman spectroscopic detection of historical mordant dyes on textile fibers (2010)SERS detection of red organic dyes in Ag‐agar gel (2012)Colour fading in textiles: A model study on the decomposition of natural dyes (2006)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Identification of dyestuffs in historical textiles: Strong and weak points of a non-invasive approach (2013)Analytical chemistry in the field of cultural heritage (2015)Combining SERS and microspectrofluorimetry with historically accurate reconstructions for the characterization of lac dye paints in medieval manuscript illuminations (2014)Tip-Enhanced Raman Spectroscopy (TERS) for in Situ Identification of Indigo and Iron Gall Ink on Paper (2014)Characterisation of historical organic dyestuffs by liquid chromatography–mass spectrometry (2008)
this work references cited by second hop

References

  • 2004The natural constituents of historical textile dyes433 cited
  • 2010Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy325 cited
  • 2009Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering196 cited
  • 2006An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs171 cited
  • 2007The Colourful Past: Origins, Chemistry and Identification of Natural Dyestuffs149 cited
  • 2015Surface‐enhanced Raman spectroscopy in art and archaeology148 cited
  • 1992Dye Analysis of Pre-Columbian Peruvian Textiles With High-Performance Liquid Chromatography and Diode-Array Detection130 cited
  • 2012Sample Treatment Considerations in the Analysis of Organic Colorants by Surface-Enhanced Raman Scattering121 cited
  • 2011Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4118 cited
  • 2005Application of surface-enhanced Raman scattering (SERS) for the identification of anthraquinone dyes used in works of art99 cited
  • 2014A systematic analysis of red lake pigments in French Impressionist and Post‐Impressionist paintings by surface‐enhanced Raman spectroscopy (SERS)86 cited
  • 2008In situ detection of flavonoids in weld‐dyed wool and silk textiles by surface‐enhanced Raman scattering83 cited
  • 2007Identification and Characterization of Artists' Red Dyes and Their Mixtures by Surface-Enhanced Raman Spectroscopy

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78 cited
  • 2011A detachable SERS active cellulose film: a minimally invasive approach to the study of painting lakes77 cited
  • 2013Surface-enhanced Raman spectroscopy studies of yellow organic dyestuffs and lake pigments in oil paint54 cited
  • 2006Direct identification of alizarin and lac dye on painting fragments using surface-enhanced Raman scattering52 cited
  • Cited by

    • 2023In situ detection of natural dyes in archaeological textiles by SERS substrates immobilized on the fiber14 cited
    • 2019Raman and surface‐enhanced Raman spectroscopy for the analysis of Mexican yellow dyestuff14 cited
    • 2024Uncovering Art’s Vanishing Hues with Surface-Enhanced Raman Scattering: Drawing Inspiration from the Past for the Future11 cited