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The metaphor of the window - together with the visual-pictorial ones - is \nessential in the literary *mimesis*: the underlying question concerning the \ngap among different linguistic codes was first found in the French \ntradition and it has been further analyzed by recent literary studies. This \nimportant kind of metaphor appears in Verga's narrative and especially in \nhis Milanese tales: it can be found both in relation to the meta-textual \nimages used by the author and to the critical lexicon of the time. The \nanalysis of the different framing values and the related features leads to \nfocus on the theoretical contradiction of realism (between the ambition to \nadhere to things and the indisputable need to preserve the bonds of the \nwork) and to see the specific evolution of Verga's art and work, in \nrelation to these issues and their European scope.
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