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Non-invasive in situ analytical techniques working in synergy: The application on graduals held in the Certosa di Pavia
16 references·8 citing·33 second hop
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References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2014Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry345 cited
  • 2011Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments277 cited
  • 2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
  • 2005Application of the micro-FTIR spectroscopy, Raman spectroscopy and XRF method examination of inks181 cited
  • 2013In-situ identification of copper-based green pigments on paintings and manuscripts by reflection FTIR107 cited
  • 2010Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings99 cited
  • 2004Investigation of oxidation and migration processes of inorganic compounds in ink-corroded manuscripts89 cited
  • 2008The joined use of n.i. spectroscopic analyses – FTIR, Raman, visible reflectance spectrometry and EDXRF – to study drawings and illuminated manuscripts86 cited
  • 2003Analysis of green copper pigments in illuminated manuscripts by micro-Raman spectroscopy79 cited
  • 2012Application of spectroscopic techniques to the study of illuminated manuscripts: A survey75 cited
  • 2003

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Ancient covering plaster mortars from several convents and Islamic and Gothic palaces in Palma de Mallorca (Spain). Analytical characterisation
73 cited
  • 2009Characterization of illuminated manuscripts by laboratory-made portable XRD and micro-XRD systems71 cited
  • 2001Micro-Raman identification of the palette of a precious XVI century illuminated Persian codex60 cited
  • 2014A Spectroscopic Study of Brazilwood Paints in Medieval Books of Hours55 cited
  • Cited by

    • 2018Use of integrated non-invasive analyses for pigment characterization and indirect dating of old restorations on one Egyptian coffin of the XXI dynasty32 cited
    • 2018The Giotto's workshop in the XXI century: looking inside the “God the Father with Angels” gable23 cited
    • 2017Chemical characterization of medieval illuminated parchment scrolls21 cited
    • 2017Looking for Common Fingerprints in Leonardo’s Pupils Using Nondestructive Pigment Characterization17 cited
    • 2017In-situ spectrofluorimetric identification of natural red dyestuffs in ancient tapestries15 cited
    • 2022FUXYA2020: A Low-Cost Homemade Portable EDXRF Spectrometer for Cultural Heritage Applications14 cited
    • 2023Identifying Original and Restoration Materials through Spectroscopic Analyses on Saturnino Gatti Mural Paintings: How Far a Noninvasive Approach Can Go14 cited
    • 2024A combined approach to the vibrational characterization of medieval paints on parchment: Handheld Raman spectroscopy and micro‐SORS13 cited