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Zulu and Xhosa praise-poetry and song
3 references·5 citing·28 second hop
Zulu and Xhosa praise-poetry and song (1962)Zulu and Xhosa praise-poetry and songThe Boundaries of Speech and Song (1963)The Boundaries of Speech and …African Music in Johannesburg: African and Non-African Features (1959)African Music in Johannesburg…African Negro Music (1928)African Negro MusicDecolonizing the Mind Through Song (2019)Decolonizing the Mind Through…Indigenous language as a tool in African musicology: The road to self-assertiveness (2014)Indigenous language as a tool…Post-Apartheid South African choral music (2012)Post-Apartheid South African …Remarks on maskandi poetry (1990)Remarks on maskandi poetryA Review of African Oral Traditions and Literature (1985)A Review of African Oral Trad…The Invention of African Rhythm (1995)Handbook of Action Research Participative Inquiry and Practice (2001)Representing African Music (2014)Living the heritage through Indigenous music competitions (2023)Morphology of the folktale (1958)The Art of Memory (1966)The Domestication of the Savage Mind (1982)Criminals and the african cultural imagination: normative and deviant heroism in pre-colonial and modern narratives (1986)Gender, Narrative Space, and Modern Hausa Literature (2002)When Linguists and Speakers Do Not Agree: The Endangered Grammar of Verbal Art in West Africa (2018)Decolonising the Mind (1998)Agenda-Setting, Priming, and Framing Revisited: Another Look at Cognitive Effects of Political Communication (2000)Ethnologue: Languages of the World (2015)Musicology and Decolonial Analysis in the Age of Brexit (2020)Communicating creativities: interculturality, postcoloniality and power relations (2022)Oral Literature in Africa (1971)Oral Literature in Africa (2012)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Nationalism: Five Roads to Modernity. (1994)Colonial Desire: Hybridity in Theory, Culture and Race. (1996)“since I am a woman, I will chastise my relatives”: gender, reported speech, and the (re)production of social relations in Warao ritual wailing (1992)Music and Language (1994)Universals in the world’s musics (2011)Judging "By the Beat": Calypso versus Soca (1996)Learning to perform as a research technique in ethnomusicology* (2001)Commerce, Politics, and Musical Hybridity: Vocalizing Urban Black South African Identity during the 1950s (2003)The class and colour of tone: An essay on the social history of vocal timbre (2004)Does Language Determine Music in Tone Languages? (2012)
this work references cited by second hop

References

  • 1963The Boundaries of Speech and Song139 cited
  • 1928African Negro Music130 cited
  • 1959African Music in Johannesburg: African and Non-African Features34 cited

Cited by

  • 1985A Review of African Oral Traditions and Literature86 cited
  • 2019Decolonizing the Mind Through Song11 cited
  • 1990Remarks on maskandi poetry6 cited
  • 2014Indigenous language as a tool in African musicology: The road to self-assertiveness5 cited
  • 2012Post-Apartheid South African choral music3 cited

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