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Charting race
15 references·16 citing·38 second hop
Charting race (2002)Charting raceMusic Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…Music genres and corporate cultures (2000)Music genres and corporate cu…Music and Social Movements (1998)Music and Social MovementsMeasuring Industry Concentration, Diversity, and Innovation in Popular Music (1996)Measuring Industry Concentrat…"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)"Anything But Heavy Metal": S…Equal Opportunity Law and the Construction of Internal Labor Markets (1993)Equal Opportunity Law and the…Innovation and Diversity in the Popular Music Industry, 1969 to 1990 (1992)Innovation and Diversity in t…American Popular Music Business in the 20th Century (1991)American Popular Music Busine…Why 1955? Explaining the advent of rock music (1990)Why 1955? Explaining the adve…Industrial market structure and economic performance (1990)Industrial market structure a…Popular Music: Concentration and Diversity in the Industry, 1974–1980 (1982)Popular Music: Concentration …From Craft to Art (1979)From Craft to ArtCycles in Symbol Production: The Case of Popular Music (1975)Cycles in Symbol Production: …Industrial Market Structure and Economic Performance. (1971)Industrial Market Structure a…Entrepreneurship in Organizations: Evidence from the Popular Music Industry (1971)Entrepreneurship in Organizat…Advertising morality: maintaining moral worth in a stigmatized profession (2018)Advertising morality: maintai…Ambivalence, indifference, distinction: A comparative netfield analysis of implicit musical boundaries (2015)Ambivalence, indifference, di…(Un)conscious (popular) underground: Restricted cultural production and underground rap music (2014)(Un)conscious (popular) under…The sincerest form of flattery: Innovation, repetition, and status in an art movement (2013)The sincerest form of flatter…Greek hip hop: Local and translocal authentication in the restricted field of production (2013)Greek hip hop: Local and tran…Reading difference: How race and ethnicity function as tools for critical appraisal (2011)Reading difference: How race …All that jazz: The success of jazz musicians in three metropolitan areas (2009)All that jazz: The success of…ARTISTS' CAREERS AND THEIR LABOR MARKETS (2006)ARTISTS' CAREERS AND THEIR LA…Transformation in Cultural Industries (2005)Transformation in Cultural In…STRUCTURAL POWER AND THE CONSTRUCTION OF MARKETS: THE CASE OF RHYTHM AND BLUES (2005)STRUCTURAL POWER AND THE CONS…Charting Gender: The Success of Female Acts in the U.S. Mainstream Recording Market, 1940–1990 (2005)Charting Gender: The Success …The Production of Culture Perspective (2004)The Production of Culture Per…Production perspectives in the sociology of music (2004)Production perspectives in th…Predicting cultural output diversity in the radio industry, 1989–2002 (2004)Predicting cultural output di…Opportunities for ethnography in the sociology of music (2004)Opportunities for ethnography…Incumbents, innovation, and competence: the emergence of recorded jazz, 1920 to 1929 (2004)Incumbents, innovation, and c…Outline of a Theory of Practice. 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(1993)Culture in Interaction (2003)Moral Views of Market Society (2007)Reconsidering Culture and Poverty (2010)The Social Construction of Reality (1967)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Problems in comparative research: The example of omnivorousness (2005)Bourdieu, the media and cultural production (2006)Class Advantage, Commitment Penalty (2016)The Causal Texture of Organizational Environments (1965)A Framework for the Comparative Analysis of Organizations (1967)Classification in Art (1987)The Theory of Economic Development (2003)Nexus Work: Brokerage on Creative Projects (2009)The Structure of Scientific Revolutions (1963)MANAGEMENT FASHION (1996)Capitalism, Socialism and Democracy (1997)The Cultural Economy of Cities (1997)Why the Microbrewery Movement? Organizational Dynamics of Resource Partitioning in the U.S. Brewing Industry (2000)Institutionalized Organizations: Formal Structure as Myth and Ceremony (1977)The “Actors” of Modern Society: The Cultural Construction of Social Agency (2000)Best Practices or Best Guesses? Assessing the Efficacy of Corporate Affirmative Action and Diversity Policies (2006)The Sociology of Discrimination: Racial Discrimination in Employment, Housing, Credit, and Consumer Markets (2008)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)Managing visibility on YouTube through algorithmic gossip (2019)When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry (2000)Innovation, growth and survival (1995)When do firms learn from their acquisition experience? Evidence from 1990 to 1995 (2001)Fifty Years of Empirical Studies of Innovative Activity and Performance (2010)Sectoral patterns of technical change: Towards a taxonomy and a theory (1984)First-mover advantages (1988)Sources, Procedures, and Microeconomic Effects of Innovation (2000)Looking Back, Looking Forward: Arts-Based Careers and Creative Work (2013)Playing to the Crowd (2019)Between Commerciality and Authenticity: The Imaginary of Social Media Influencers in the Platform Economy (2021)
this work references cited by second hop

References

  • 1971Industrial Market Structure and Economic Performance.6,267 cited
  • 1990Industrial market structure and economic performance2,573 cited
  • 1996"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes1,087 cited
  • 1993Equal Opportunity Law and the Construction of Internal Labor Markets621 cited
  • 1975Cycles in Symbol Production: The Case of Popular Music594 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 2000Music genres and corporate cultures381 cited
  • 1971Entrepreneurship in Organizations: Evidence from the Popular Music Industry361 cited
  • 1992Innovation and Diversity in the Popular Music Industry, 1969 to 1990337 cited
  • 1990Why 1955? Explaining the advent of rock music289 cited
  • 1979From Craft to Art190 cited
  • 1998Music and Social Movements128 cited
  • 1991American Popular Music Business in the 20th Century102 cited
  • 1996Measuring Industry Concentration, Diversity, and Innovation in Popular Music98 cited
  • 1982Popular Music: Concentration and Diversity in the Industry, 1974–198084 cited

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The Production of Culture Perspective
705 cited
  • 2009All that jazz: The success of jazz musicians in three metropolitan areas91 cited
  • 2006ARTISTS' CAREERS AND THEIR LABOR MARKETS72 cited
  • 2011Reading difference: How race and ethnicity function as tools for critical appraisal65 cited
  • 2005STRUCTURAL POWER AND THE CONSTRUCTION OF MARKETS: THE CASE OF RHYTHM AND BLUES56 cited
  • 2013The sincerest form of flattery: Innovation, repetition, and status in an art movement55 cited
  • 2018Advertising morality: maintaining moral worth in a stigmatized profession48 cited
  • 2004Incumbents, innovation, and competence: the emergence of recorded jazz, 1920 to 192947 cited
  • 2004Production perspectives in the sociology of music44 cited
  • 2004Opportunities for ethnography in the sociology of music43 cited
  • 2005Charting Gender: The Success of Female Acts in the U.S. Mainstream Recording Market, 1940–199042 cited
  • 2005Transformation in Cultural Industries42 cited
  • 2013Greek hip hop: Local and translocal authentication in the restricted field of production37 cited
  • 2014(Un)conscious (popular) underground: Restricted cultural production and underground rap music34 cited
  • 2004Predicting cultural output diversity in the radio industry, 1989–200234 cited
  • 2015Ambivalence, indifference, distinction: A comparative netfield analysis of implicit musical boundaries28 cited