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Neo-orientalism in the Operas of Tan Dun
13 references·1 citing·30 second hop
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this work references cited by second hop

References

  • 2017Culture and Imperialism5,395 cited
  • 2005The Science of Reading: A Handbook700 cited
  • 1991Unsung Voices: Opera and Musical Narrative in the Nineteenth Century583 cited
  • 1996Chinese History and the Question of Orientalism359 cited
  • 1998Orientalism and Musical Style111 cited
  • 2010The Chinese Taste in Eighteenth-Century England69 cited
  • 2002Shamanism: An Introduction30 cited
  • 2013The persistence of Orientalism in the postmodern operas of Adams and Sellars22 cited
  • 2009Blurring the Boundaries: Tan Dun's Tinte and The First Emperor12 cited
  • 2007Calligraphy and musical gestures in the late works of Chou Wen-chung12 cited
  • 2011Tan Dun Through the Lens of Western Media (Part I)9 cited
  • 2007Bartók's influence on Chinese new music in the post-cultural revolution era8 cited
  • 2007Reconsidering cultural politics in the analysis of contemporary Chinese music: The case of Ghost Opera8 cited

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  • 2022“Buddha Passion” by Tan Dun2 cited

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